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When great power falls into great hands, the chain reaction is captured perfectly in Christopher Nolan’s “Oppenheimer.” movie review

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Christopher Nolan’s Oppenheimer isn’t simply about the chain response that is set off when a neutron hits the nucleus of an atom bomb. It’s greater about the chain response each time exceptional strength falls into awesome hands.

Nolan isn’t searching for to provoke in Oppenheimer with his brand new foray into high-concept science, now not going too lots into the distinction between fusion and fission, uranium and plutonium, and the relative benefits of one over the other. Instead, his gaze is directed nearly at all instances into the makings of the internal universe of the man who would be the father of the atom bomb.

Cillian Murphy as that man, Robert J Oppenheimer, is curious and ambitious, however additionally charmingly flippant, as properly as conflicted and broken. He, as a great deal seizes the second as letting the second catch him. The phrase genius is frequently thrown around, however as soon as his use is done, it skill little for these making an attempt to pull him down.

Nolan’s movie runs in three parallel storylines. In one, Oppenheimer grows from a budding physicist and one of the pioneers of quantum mechanics in America, to the distinguished identify he would become, being chosen to lead the top-secret Manhattan Project to make the world’s first atom bomb. In another, with the Second World War barely a decade in the past, he finds himself grilled by way of a small, aggressive panel on whether or not he was once absolutely sabotaging America’s safety pastimes due to his as soon as Communist sympathies. In a third, he is being put on trial at a Senate listening to through the questioning of the head of the Atomic Energy Commission (played by using Robert Downey Jr), who is hoping to be validated as a minister, now not caring what he has to say about Oppenheimer’s loyalty to America.

It’s a movie as plenty about our instances as about the post-World War II technology when America was once searching for enemies in each shadow. How many instances and how many approaches does a character want to show oneself when dragged into these shadows? What are the questions one is allowed to elevate earlier than one crosses the line in the title of “national security”? What non-public charges does a u . s . demand of you? As wars drag on even now, “despite the bomb that was once to quit all bombs”, and under nuclear shadows still, Oppenheimer is prophetic when he says in the movie that he didn’t be apologetic about making the atom bomb and probably ending WWII, however that this set in when he realised that people would now not quit at the use of something to make a weapon.

If these are the larger questions Nolan’s movie raises, it’s also a deep private appear at Oppenheimer himself. Not a in particular non secular Jew, Oppenheimer finds himself having to persuade his countrymen amidst Hitler’s upward jostle that the Nazis are a increased danger than Communism. He ought to do this whilst no longer being viewed to overdo his sympathy for both fellow Jews or communists. He loves, he loses, he idolises, he seeks out glory, and he forges beforehand and makes a title for himself in a discipline that is first lonely and then nearly too crowded as information receives round of Germans racing in advance in the nuclear game.

The Los Alamos lab he units up is framed by way of Nolan as one of these cities in the Old West, the place alternatively of guys on horses, tools on vehicles passes down dusty lanes, and scientists have heated arguments no longer with weapons however over the moralities of a bomb whose detrimental electricity no one is truly certain of. Can it set the ecosystem on fireplace is one opportunity they ought to consider. Can the use of a nuclear bomb be justified when Hitler has already surrendered and Japan is about to, is some other ethical hiccup they have to swallow. Closer and nearer to the bomb, Oppenheimer finds himself equipped to brush these qualms away – even the confession by using the US Secretary of State that there is certainly no facility huge ample to be recognized as a particular goal in Japan, and as a result they should simply pick out a city to set an example.

Was Oppenheimer’s resistance to a hydrogen bomb later, and constant appeals to cease the hands race a handy salve for the guilt he bore? That is for the world to judge, even though it is clear that the query is ingesting him up from inside – as Murphy nearly painfully depicts.

This is nearly an completely Murphy show, with a lot of wonderful actors pitching in for vital parts. Nolan takes his time kicking the complaints into action, and in her bit role, Florence Pugh is the most impactful.

As he watches the world go up in balls of fireplace in New Mexico barren region when they first check the atom bomb, as flames and smoke billow out and the shock waves hit, as the powers of the universe are absolutely harnessed from the tiniest of its beings, as the world we be aware of it is upturned, and Oppenheimer/Murphy whispers these phrases — “Now I am Death, the Destoyer of Worlds” — you can for a second sense the presence, and absence, of God.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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