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How Will The Different Sectors of Real Estate Respond to this Current Pandemic?

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As the COVID-19 escalated to a global pandemic, different businesses and markets have been hit worldwide. In these times of uncertainties, it is inevitable that real estate investors would respond accordingly—something we wonder what’s waiting for us this 2020.

The impact of the coronavirus on the financial market has been so sudden. Nobody was ready for it. In fear of the markets falling, investors have diverted their capital reserves to the relatively resilient bond market. This resulted in the largest drop in the stock market in just a matter of one week since the financial crisis in 2008. Since 1987, the Dow experienced the biggest crash.

Based on the recent history of pandemics the world has seen—such as SARS, MERS, H1N1 and others—experts are using the experience to foresee the market volatility and how long and far the correction for the market will take. It may still be too early to compare the full impact of COVID-19, but during the previous pandemics, the markets have already stabilized in the span of three to six months on average.

With the current government’s thrust to prevent further spread of the virus—which includes stay-at-home order and isolation—the real estate markets have been undeniably impacted. Prior to the scare, the supply and demand are in good balance. It is only fitting to assume that, so long as the virus is contained the shortest time possible, economic growth will remain positive. It may slow down, or even have a decline, but it will thrive. In theory, for the rest of the year, the real estate markets will be relatively stable.

Among the real estate markets, the hospitality and tourism industry are the ones to be impacted the most as tourists have cancelled their vacations, so were the conferences, and other big events, have all been put on hold. Last year, the nationwide occupancy rate reached a record high at 66.2% and though the virus will certainly affect its performance, experts still expect it to settle at 62.5% which is still higher than the average occupancy rate in the last 30 years. 

Another market that will also experience poor performance, at least for the short term, is the retail sector, especially the ones related to experiential retail—restaurants, entertainment centers, fitness gyms and other similar businesses and stores. People are advised to stay at-home and avoid public places and crowds and these are what caused the backlash.

The demand will still remain high for the housing market in the midst of coronavirus and the rental businesses will still be favorable. The vacancy rates of the multifamily properties closed 2019 at 4.2%. The construction of new Class A units may raise that rate higher this year, but diminutive vacancy rates in Class B and C will most likely result in rent growth.

The office sector ended at a 13.0 percent vacancy average rate nationwide and we don’t expect much deviation from that. As long as job creation is steady and the labor market stays tight, the impact on this sector is minuscule.

The industrial sector will also be affected in the short term. There will be inevitable decline, if not a total halt, in the flow of goods from other other countries specially from China—this may lead to a little risk as some users may put on hold their pans to utilize for large warehouse spaces as they gauge the situation. 

While the headlines about COVID-19 are currently overwhelming, its detrimental effects are unlikely to cause a long-lasting severe impact on the commercial real estate market. The drop in the interest rates will fuel refinance and acquisition activity and quality investors have managed to lock in debt in the 3% range despite the increasing spread of lenders’ risk-free rates. Investment activity should also remain stable in spite of the lack of confidence in the economy as a whole since property values are not escalating and cap rates are not crashing. 

These assessments are heavily based on the previous pandemics we have experienced plus the current situation of the coronavirus. But things could drastically change like say for example if the consumer confidence levels drop significantly or the market volatility becomes out of control, it’ll be a different situation. But for now, we are expecting to see reduced economic growth but still positive and thriving amid this current health scare.

As for the real estate market, if anyone wants to sell their house, they might think this a bad time for that. However, there are private investors like Mrs Property Solutions who still operate even at this time of crisis. They want to help out people who needs cash for houses Los Angeles. They buy house in as is condition and in any situation.

Mark David is a writer best known for his science fiction, but over the course of his life he published more than sixty books of fiction and non-fiction, including children's books, poetry, short stories, essays, and young-adult fiction. He publishes news on apstersmedia.com related to the science.

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Wiz will pay $450 million to acquire Cloud Remediation Startup Dazz

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Wiz revealed on Thursday that it will buy channel-focused company Dazz in an agreement to add cloud remediation capabilities to the vendor’s cloud and AI security platform.

With features like application security posture management and continuous threat and exposure management, Dazz provides a remediation-focused cloud security platform.

Jared Phipps, a seasoned cybersecurity industry executive who most recently worked for SentinelOne, was hired by Dazz in February as its CRO as the business sought to expand its collaboration with channel partners. Presidio, situated in New York, has been one of the key partners.

Dazz said in July that it has raised a $50 million round of funding, increasing its total funding since its 2021 launch to $110 million.

Dazz provides a “industry-leading remediation engine,” according to a post published on Thursday by Wiz Co-Founder and CEO Assaf Rappaport, which will allow Wiz to “empower security teams to correlate data from multiple sources and manage application risks in one unified platform.”

This is Wiz’s third purchase overall and its second acquisition of 2024 after the company’s April acquisition of cloud detection and response provider Gem Security.

Wiz, a four-year-old startup, reported in May that it had raised $1 billion in new capital at a $12 billion valuation, citing its continued strong development in the cloud and AI security areas. Annual recurring revenue (ARR) for the business reportedly increased from $350 million earlier this year to above $500 million.

After making a number of management additions aimed at facilitating quicker partner-driven growth, Rappaport stated in February that Wiz would prioritize its channel operations moving ahead.

I“In cybersecurity partners are super, super important in the success of a company. So we’ve always [seen that] this has huge potential for us to tap into. I think there is so much more we can do,” he stated at the time.

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ProRata, an AI startup, Teams up with UK Publishers after reportedly Hitting $130 Million in Valuation

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A number of well-known British media outlets have joined ProRata, an AI firm that claims to compensate publishers for the usage of their work, in its expanding network of partnerships.

The Los Angeles-based firm announced on Wednesday that it has signed licensing deals with publishers such as Sky News, the Guardian, and the Daily Mail’s publisher, DMG Media.

In a recent Series A funding round, ProRata raised $25 million from investors such as the Mayfield Fund, Prime Movers Lab, and Revolution Ventures.

“ProRata’s founder and CEO Bill Gross said his firm’s AI technology is the only one that pledges to credit and compensate creators, while providing users with accurate search results.

“We have had hundreds of content owners and media companies reach out to us from around the world who are interested in piloting our technology. Stealing and scraping content is not a sustainable path forward,” he continued.

Similar alliances have previously been formed by ProRata with the German publisher Axel Springer, the Atlantic, Fortune, Time, and Universal Music Group (UMG).

Media firms are offered reasonable compensation by ProRata for the use of their content. The startup’s in-house technology may determine the proper amount of pay by evaluating the worth of the information used to create responses from an AI platform. This would make it possible to pay copyright holders for their work on a per-use basis.

Gross had previously said that AI platforms have been using “shoplifted, plagiarized content,” which fosters an atmosphere in which “disinformation thrives and creators get nothing.”

Gross is recognized for having created the pay-per-click model of internet search monetization with his business, GoTo.com, which was eventually acquired by Yahoo! in 2003.

In a recent blog post, Tige Savage, a cofounder of Revolution, stated that Bill Gross is a serial entrepreneur with extensive experience in monetization techniques.

“He’s attracted a world-class tech team led by AI luminary Tarek Najm to implement the vision and an accomplished business team, including Annelies Jansen and Jonas Lee to drive content and AI partnerships,” Savage continued.

The unpaid use of copyrighted materials by OpenAI and other tech companies to train their AI systems has led to litigation from media companies and other content creators.

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Film Bazaar Unveils an Interactive Cinema App from an Indian Tech Startup

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Arjun Nittoor, the founder of the Indian technology firm Vireza, disclosed at Film Bazaar that the company is creating a new mobile application that would transform the experience of watching movies in theaters by enabling viewers to engage with the films in real time.

The technology, which was created wholly in-house at the company’s research and development department in Bengaluru, allows viewers to use their smartphones to vote on important plot points during the movie. To keep up with the current screening, patrons download an app before entering the theater and scan a QR code at their seat.

“The film industry is one of the few sectors where the audience experience has seen minimal technological disruption in theatres,” Nittoor stated. “While screen and sound quality have advanced and 3D has been partially adopted, the viewing experience has largely remained the same for decades.”

The screen automatically brightens to show voting options and dims again when choices are made. The system uses discreet phone notifications to encourage audience participation around every ten minutes.

In 2026, Vireza intends to introduce the technology with a full-length interactive movie that will be produced in both English and South Indian for international distribution. The business is presently in the development stage and will shortly start doing multiplex chain trial screenings.

CtrlMovie’s prior success in the interactive film industry was mentioned by Nittoor. CtrlMovie is well-known for “Traces of Responsibility” and “Late Shift.”

In order to overcome the difficulties in cinematography, editing, shot composition, and writing that plagued previous attempts at the format, the firm has spent five years creating what Nittoor refers to as “a new science of filmmaking” that is especially tailored for interactive cinema.

“Despite the proliferation of viewing devices, big-ticket films continue to draw massive crowds to theatres, with box office numbers higher than ever,”  Nittoor stated. “This demand underscores the potential for a meaningful technology shift that could draw audiences out of their homes and into cinemas.”

Other Asian businesses are likewise investigating audience-driven narrative in motion pictures. In February of the following year, Japan’s King Records intends to release “Hypnosis Mic – Division Rap Battle,” an animated interactive film.

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