Connect with us

Entertainment

‘The Rookie,’ ‘The Conners,’ ‘The Goldbergs’ among five ABC renewals

Published

on

Craig Erwich has settled on his renewal decisions at ABC.

The network’s recently installed entertainment president has given out renewals for five of its 10 scripted originals that were on the bubble. Returning for the 2021-22 broadcast season are shows A Million Little Things (for season four) and The Rookie (season four) just as comedies The Goldbergs (season nine), The Conners (season four) and Home Economics (season two).

As yet staying on the bubble are comedy veteran American Housewife, Black-ish spinoff Mixed-ish and rookie Rebel as well as sophomore drama For Life. Kyra Sedgwick multicamera parody Call Your Mother has been canceled. ABC is relied upon to settle on decisions on its excess scripted originals today, however none of the four remaining shows are required to return.

There are no surprises with the half-hour renewals after The Conners stars as of late inked new deals to return for another season and with The Goldbergs staying one of ABC’s top-rated comedies. The Rookie, featuring network favorite Nathan Fillion, is likewise one of ABC’s most watched dramas while D.J. Nash’s A Million Little Things is a solid DVR and streaming performer. Home Economics jump started well out of the gate and is an internal favorite.

The five returning series join a schedule that additionally includes the eighth and final season of Black-ish, The Good Doctor, Grey’s Anatomy, Station 19 and Big Sky. ABC still can’t seem to officially get any new scripted originals, however Lee Daniels’ The Wonder Years update is viewed as a lock to join the schedule.

The renewals are a touch more aggressive than the moves Erwich’s predecessor, Karey Burke, made a year prior during her first upfront onatop the broadcast network. Burke was promoted to oversee Disney’s studio, twentieth Television, in December, with Erwich adding oversight of the network to his purview as head of originals for Disney-backed streamer Hulu.

ABC is set to unveil its fall plan for a virtual show as a part of Disney’s forthright pitch to Madison Avenue advertisement purchasers on Tuesday. While the presentations will all be virtual again this year in the midst of the pandemic, the arrival of the traditional upfronts week shows a desire to revive the traditional broadcast calendar after the pandemic postponed the beginning of the 2020 fall season and diminished the all out number of scripted originals.

As far as ownership, ABC will completely claim essentially the entirety of its returning shows, with The Goldbergs created by Sony, which additionally co-owns The Good Doctor, while Topher Grace-drove Home Economics is a co-creation with Lionsgate TV. David E. Kelley’s Big Sky is likewise a co-genius (with A+E Studios).

Keep track of all the renewals, scancellations and new series orders with THR’s handy scorecard.

Entertainment

Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

Published

on

The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

Continue Reading

Entertainment

Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

Published

on

Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

Continue Reading

Entertainment

David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

Published

on

Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

Continue Reading

Trending

error: Content is protected !!