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Anne Rice’s ‘Interview With the Vampire’ series ordered at AMC

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AMC is formally pushing ahead with an series adaptation of Anne Rice’s “Interview With the Vampire.”

Information on the series order comes a little more than a year after Variety only detailed that AMC had procured the rights to Rice’s book series “The Vampire Chronicles” and “The Lives of the Mayfair Witches.” “Interview With the Vampire” is the first series to be greenlit out of the obtaining.

The cabler has given the series an eight episode request with an eye toward a 2022 introduction on both AMC and AMC Plus. Rolin Jones will serve as writer, executive producer, and showrunner on the series under his general deal with AMC Studios. Imprint Johnson will chief produce under his general deal with AMC Studios too, with Anne Rice and Christopher Rice likewise executive producing.

Johnson has a long history with AMC Networks, having filled in as a leader maker on shows like “Breaking Bad,” “Better Call Saul,” “Halt and Catch Fire,” and “Rectify.” In addition to executive producing “Interview with the Vampire,” he will lead AMC’s endeavors to foster the full Anne Rice collection for streaming and television. “Interview with a Vampire” was recently adjusted into an element in 1994 featuring Tom Cruise, Brad Pitt, Kirsten Dunst and Antonio Banderas.

“This is a day we have been looking forward to since we acquired this legendary Anne Rice collection a little more than a year ago,” said Dan McDermott, president of original programming for AMC Networks and AMC Studios. “This story already has millions of fans in the U.S. and around the world, we can’t wait to share this new interpretation of the classic brought to life by Rolin and Mark, as we continue to work on developing the entire collection. With ‘The Walking Dead,’ this Anne Rice collection and our majority stake in Agatha Christie Limited through our own Acorn TV, we are proud to have the stewardship of three unique, fan-forward and beloved franchises and universes, which we are only just beginning to explore. We are also thrilled to have Mark, a world class producer we have previously worked with on iconic series like ‘Breaking Bad,’ ‘Rectify,’ ‘Halt and Catch Fire’ and ‘Better Call Saul’ on board at the helm of our efforts to develop an entire Anne Rice universe, with significant aspirations for these beloved stories and characters.”

The acquisition deal included 18 titles between the two book series, which together have sold in excess of 150 million duplicates around the world. Among the books in the two series are “Interview with the Vampire,” “Queen of the Damned,” “The Vampire Lestat,” and “The Witching Hour.”

“The challenge of adapting for television the groundbreaking and immensely compelling work of Anne Rice is both intimidating and exhilarating,” Johnson said. “Having previously produced films from such singular works, I recognize both the responsibility and the obligation we owe the material. I strongly believe that with AMC and Rolin Jones we are equipped to meet this challenge and to thrill and entertain both the loyal Anne Rice fan and the viewer who is just now discovering her work.”

Anne Rice is a New York Times Bestselling author of more than 30 books. Her first novel, “Interview with the Vampire,” was published in 1976 and has gotten one of top rated books worldwide A New York Times Bestselling and grant winning novelist by his own doing, Christopher Rice has worked together with Anne on numerous novels. Along with his creating accomplice, individual New York Times Bestselling author Eric Shaw Quinn, he runs the podcast and video network TDPS.

“In 1973, a grieving mother and extraordinary writer began what would become the finest Vampire novel ever written (all respects to Mr. Stoker),” Jones said. “Nearly fifty years later we know what’s expected of us. We know how much this book and the ones that follow mean to their massive fan base. We feel you over our shoulders as we tend the Savage Garden. Louis and Lestat are coming out of hiding and we can’t wait to re-unite them with you.”

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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