Connect with us

Entertainment

BET Award 2019: The 2019 BET Awards Performers Include Everyone From Lizzo, Lil Nas X, Cardi B.

Published

on

Rihanna, Cardi B., Lil Nas X, City Girls and Mary J. Blige took centerstage at the 2019 BET Awards, which publicized live Sunday night from Los Angeles. Host Regina Hallkicked off the entertainment industry’s most-entertaining award’s show with an ode to Washington D.C.’s own Go Go Music, as the band E.U. performed lasting gathering hit “Da Butt.” E.U. frontman Sugar Bear made that big stage with King for a blingtastic, red and black extravaganza.

Starting there on the awards ceremony swung forward and backward among excitement and social activity going from a vivacious wedding-dressed performance by Lizzo to an award granted to DC donor (Candice Payne) who moved 122 homeless people into hotels during the 2019 polar vortex.

Highlights of the night included queen of hip hop soul Mary J. Blige’s receipt of an exceptional honor that was committed by Rihanna: the BET Lifetime Achievement Award. In the wake of tolerating the statue, Blige rushed off stage, changed garments and returned to sing an aggregation of her classics, including “My Life,” “You Remind Me” and “I’m Going Down.”

Blige’s performance took watchers of a particular age through a world of fond memories, to when Blige’s sultry and cheeky interpretation of music changed the American cultural scene until the end of time. Technique Man and Lil Kim additionally joined Blige in front of an audience to play out a bunch of group satisfying hits. Truth be told, for “I’m Going Down,” Blige didn’t have to sing at all in light of the fact that the group did.

“Although I am a leader, a queen, a living legend, although I’m all these things I’m a servant as well and I’m here to serve. Being a servant is not always glamorous or popular but it’s the job and the assignment that I was given. In order to be in authority, I had to learn how to come under authority. When the glory is placed on me, I give it back to God. This journey has always been bigger than me.”

Other outstanding parts of the night incorporated a live performance by Lil Nas X and Billy Ray Cyrus, who brought a whole “Old Town Road” line dance vibe to the BET Awards. (It truly was a joy watching stars like Rihanna and Cardi B celebrate Lil Nas X.) Black-ish actress and Little executive producer Marsai Martin took home best young talent, snagging her BET award in a crowded and talented field. The best gospel album went to Snoop Dogg featuring Rance Allan, “Blessing Me Again.”

A short list of extra victors incorporate BlacKkKlansman for best best picture. Cardi B’s Invasion of Privacy won best album. The BET Awards also honored the “exonerated five”, who once were known as “the Central Park Five” and are the subject of the much-discussed, Ava Duvernay-directed Netflix film When They See Us. And best international act went to Burna Boy, originally from Nigeria. The 2019 Coca Cola Viewers Choice award went to Ella Mai for “Trip.”

Hall brought a light touch to the festival with brilliant outfit changes and a bunch of genuine jokes that poked, for instance, at reality of improvement in the place where she grew up while likewise featuring the way of life of DC. Hall said she planned her work with the awards to be an ode of sorts to DC culture and her jokes certainly reflected that – from discussion on Marion Berry to bringing Taraji P. Henson (who is from DC) up on stage to dance.

Mark David is a writer best known for his science fiction, but over the course of his life he published more than sixty books of fiction and non-fiction, including children's books, poetry, short stories, essays, and young-adult fiction. He publishes news on apstersmedia.com related to the science.

Entertainment

Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

Published

on

The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

Continue Reading

Entertainment

Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

Published

on

Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

Continue Reading

Entertainment

David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

Published

on

Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

Continue Reading

Trending

error: Content is protected !!