Connect with us

Entertainment

Cloris Leachman, Oscar and Emmy winning actor, dies at 94

Published

on

Leachman played the intrusive neighbor on “The Mary Tyler Moore Show” and won an Academy Award for her role in “The Last Picture Show.”

Academy Award winner Cloris Leachman, perhaps the most embellished entertainers in TV history, most popular for playing meddling neighbor Phyllis on “The Mary Tyler Moore Show,” kicked the bucket Wednesday. She was 94.

She passed on of natural causes at her home in Encinitas, California, representative Monique Moss affirmed.

Leachman won eight Emmy Awards in her storied TV career, attached with Julia Louis-Dreyfus for the most individual acting honors in Emmys history. Leachman’s Facebook cover shot portrays her sitting on a sofa, encircled by brilliant buddies.

Leachman, who was drafted into the Academy of Television Arts and Sciences’ Hall of Fame in 2011, won the honor for best supporting entertainer in a satire arrangement in 1974 and 1975 for her work as Moore’s self important neighbor, Phyllis Lindstrom.

The show and the character were mainstream to such an extent that Leachman was spun off into her own show, “Phyllis.”

She won the 1973 Emmy for best driving entertainer in the TV film “A Brand New Life,” playing a first-time mother in middle age — a trying demonstration in the period. Leachman was 46 when the “ABC Movie of the Week” circulated Feb. 20, 1973.

Other Emmy wins remembered grants for 1975 for best supporting entertainer in an assortment or melodic for her work in “Cher,” in 1984 for best assortment execution in the “Screen Actors Guild 50th Anniversary Celebration” and in 1988 for best entertainer in a visitor part for “Promised Land.”

Younger TV fans presumably know Leachman best for “Malcolm in the Middle” as Malcolm’s cleverly plotting grandma. She was additionally a challenger on the 2008-09 period of ABC’s “Dancing with the Stars”; at that point, she was the most seasoned rival in the show’s set of experiences, at age 82.

The “Malcolm” gigs procured her Emmy Awards in 2002 and 2006 for best visitor entertainer in a comedy.

Leachman demanded that she went into each grant late evening accepting she wasn’t returning home with a sculpture.

“I never had a speech because I never thought I was going to win,” Leachman told the TV academy in a 2015 interview.

“But if you are good at what you do — and I always intend to be good at what I do — then the acclaim is just the follow-through. But it is a wonderful feeling,” she said.

Leachman likewise won an Oscar, acquiring the 1971 award for best supporting entertainer in “The Last Picture Show.” She played Ruth Popper, the desolate spouse of the town’s secondary school football trainer.

Her movie vocation additionally incorporated a fan-most loved execution as Frau Blücher in Mel Brooks’ comedy classic “Young Frankenstein.”

“Such sad news—Cloris was insanely talented,” Brooks tweeted Wednesday. “She could make you laugh or cry at the drop of a hat. Always such a pleasure to have on set. Every time I hear a horse whinny I will forever think of Cloris’ unforgettable Frau Blücher. She is irreplaceable, and will be greatly missed.”

Be that as it may, Leachman will be most popular as “Mary’s” neighbor and landowner. Of the entertainers who were in as many “Mary Tyler Moore Show” scenes as Leachman, the individuals who have passed on incorporate Moore, Ted Knight, Georgia Engel and Valerie Harper.

Cast part Ed Asner tweeted a photograph of himself with Leachman on Wednesday, saying, “Nothing I could say would top the enormity of my love for you.”

At the point when Moore kicked the bucket in 2017, Leachman said Mary Richards’ radiant attitude coordinated reality offstage.

“The picture that we all have of Mary, that’s how she was — sweet, kind, so tender, so delicate,” Leachman said. “She was America’s sweetheart. We loved you.”

In the show, Leachman’s Phyllis every now and again and entertainingly conflicted with Harper’s Rhoda in on-screen clashes that were something contrary to reality.

“‘The Mary Tyler Moore Show’ was a gorgeously written show. My character, Phyllis, wanted Mary to be her best friend … and she couldn’t stand Rhoda. Ha! In reality, Valerie and I were best friends,” Leachman told the TV academy n 2015.

Leachman had eased back down as of late. In a 2015 meeting with NBC’s “TODAY” show, she battled escaping a seat.

“I’m going to get up. It’s very difficult. I can get this far,” said Leachman, who was then 89, putting her hands on the seat’s arms and propelling herself up a few crawls prior to freezing.

Indeed, even with a more slow body, Leachman indicated that her comedic mind was sharp as ever with a completely planned “And then you come in,” motioning for co-has Hoda Kotb and Kathie Lee Gifford, who acted the hero.

Leachman credited her underlying interest in radio and TV to her mom, likewise named Cloris, who urged her to investigate her imaginative side.

“Momma never pushed me to anything, always an invitation,” Leachman said at her 2011 induction into the TV academy’s Hall of Fame.

Leachman, who was brought up in Iowa, was among the numerous well known entertainers who learned at Northwestern University. She moved to the edges of Chicago and contended in the 1946 Miss America rivalry as Miss Illinois.

“She loved her children and her grandchildren ferociously,” Leachman’s longtime manager Juliet Green said in a statement after her death. “A lifelong vegetarian, she was a passionate advocate for animal rights. The family requests that any donations in her name be made to PETA or Last Chance for Animals.”

She is made due by her children Morgan Englund, Adam Englund and George Howe Englund Jr. what’s more, her girl, Dinah Englund. Leachman’s previous spouse, George Englund, the dad of her five kids, kicked the bucket in 2017, and a child, Bryan Englund, passed on in 1986.

Entertainment

Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

Published

on

Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

Continue Reading

Entertainment

David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

Published

on

Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

Continue Reading

Entertainment

The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

Published

on

In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

Continue Reading

Trending

error: Content is protected !!