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D.O.P.E.’s Do It Yourself Mentality Is Paying off With Latest Release

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The music industry is a continuous grind that requires a strong work ethic and relentless mentality, D.O.P.E. has both of these and a whole boatload of talent as well. As a completely independent artist with 15 years of experience in the game, his sights are set on making music his full-time gig.

When we think of the A-Typical do-it-yourself independent artist, we understand that almost every aspect of their career falls squarely on their shoulders. D.O.P.E. is the living embodiment of a DIY musician. He writes all of his own music, directs and edits all of his own music videos, and he even designs all of his own merchandise.

This hustler mindset has enabled D.O.P.E. to grow his fanbase and to create a loyal following. At this point, he now has over 11,000 monthly listeners on Spotify, and he’s brought those fans in with his dedication and grassroots approach to his career. As far as what he attributes his success to, he had this to say.

“I have thousands of listeners each month thanks to loyal fans, De Novo Agency, and Facebook/IG ad campaigns. I make D.O.P.E. music and inspire all of my listeners to Dare. Overachieve. & Profit every day.”

At this point, it is more than evident that all of the North Carolina-based rapper’s hard work has been paying off as he has hit some pretty monumental milestones. We asked him what his biggest accomplishment was and here is what he told us.

“My biggest achievement would be surpassing half a million streams on Spotify with over 100,000 listeners.”

No team and no group, just one artist putting quality music out to his target audience and growing that audience and his reach. Having this level of self conviction, self belief, and drive usually comes from a deep rooted mission or calling.

“The central message behind my music is really just events about my life and how I’m feeling about a situation. I express myself through my music because honestly, I do not feel as though I have any other outlet. I can’t always talk to friends and family about certain situations so I put them in my music as a way to get it out.”

Music is art, it is self-expression, and so many of us turn to it as an escape or an outlet. This clearly goes for D.O.P.E. as well, and it helps endear him to his faithful listeners.

Currently, D.O.P.E. has a lot of music that he’s pushing to his audience and new listeners alike. Earlier this year he dropped a new album aptly titled “20/20”. Since that point, he also dropped a new single titled, “Weekend”. True to his style of constantly working and pushing out new music, he has a new album, “20/20 (Deluxe)” which will be out in the coming weeks.

With all of this on the docket, we took some time to review his new single and some stand-out tracks off of “20/20”.

“Weekend”

In a short amount of time, this song has already accrued nearly 5,000 streams on Spotify. This modern love song is laced over an intricately simple hip-hop beat and D.O.P.E. delivers on both his flowing verses and his catchy hooks.

D.O.P.E. told us that he believes this song best represents his sound to new users.

“I would say that my song Weekend really represents my sound. I LOVE love and I know I make a lot of love songs, especially with my early album “T.A.M.E.”. I fall in love and I also deal with heartbreak, all of that goes into my music. As for “Weekend”, I met a girl and felt that we really established a connection. We got super close over the short span of just two and half days and I was falling for her as she was falling for me. We both met while outside of our home states in a completely different state. We met in Minnesota while I live in North Carolina and her in Florida. We had an amazing weekend with each other but on the third day, Sunday, she flew back to Florida. I wrote and recorded the song the same day she left.”

Uniqueness is always a valued attribute in music and this tracks cool sound and pro-romance vibes are stand out unique qualities. On top of that, the lyric video is dope (pun intended), and you can check that out below.

“Kill the Beat”

“Kill the Beat” is one of our favorite songs off of “20/20” and is one of D.O.P.E.’s most popular songs on Spotify with over 24,000 streams to date. This song and sound is worlds apart from “Weekend”, which is a testament to his skillset across multiple styles.

The twangy southern flavored beat will have hip-hop fans feeling reminiscent, and D.O.P.E.’s flow versatility and lyrical skills will have them taking notice.

The music video for “Kill the Beat” is light-hearted, entertaining, and it leaves D.O.P.E. killing the beat as the focal point.

“Quarantine N’ Chill”

Okay, this is one is not just a good song, it’s a topically fun time for listeners. The song itself will obviously do itself the most justice but here is the cliff note version. D.O.P.E. gives us a hysterical account of what a late-night hookup looks like in the midst of a global pandemic, hence the name.

Lines referencing being out of toilet paper, demanding that masks stay on, and a video that is full of imagery involving masks, gloves, and hand sanitizer gives us all some comic relief after the year that we have had. But most importantly, even with all of the laced in humor, he’s still spitting lines from start to finish.

What’s Next for D.O.P.E.?

As we told you earlier, “20/20 (Deluxe) is expected to drop in the next few weeks and we highly recommend you put it on your watch list. D.O.P.E.’s approach has been to methodically grow his fanbase by connecting with them, creating quality music, and by making honest music that we can all relate to. It’s a winning formula, and his name is one that you should get used to hearing.

To keep up with D.O.P.E. and his upcoming album and future releases, connect with him on the platforms below.

Spotify

iTunes

Website

YouTube

Instagram

Twitter

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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