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Discovering ‘Calling Out’ Anjalts Tinkering Piano Ballad

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Trevor Wayne -Writer

Noise-canceling headphones on, and it’s onto another round of new music Friday, scrolling and listening from all genres coming through the streaming platforms.   A litmus test to the senses and one song stood out with an uncanny magical effect to hit repeat.  The song is ‘Calling Out’ by multi-talent wunderkind Anjalts, an emerging super-shy artist I had the pleasure of meeting about a year ago when she released ‘Somewhere in the Sky’ and a bunch of other super releases.  But this soft ballad of a quiet tinkering piano pulsates like a heartbeat against the thunder and raindrops lingering in the background filling up my headphones with sounds that immerse your noisy brain to just sit back, relax and let it in.   Feel the prana flowing in like eternal sunshine of bliss, except it’s a rainy thundering rainforest feels and Anjalts celestial voice calling out from afar.  It’s an intimate ballad right from the start.  The effects composed by this rising star fuse a very different approach in a neo-pop psychedelic arrangement of atmospheric serenity not felt in a long time.  And it just keeps getting better.

‘Calling Out’ is reshaping the way mixes are done to inspire the senses instead of turning up the volume of the boom in our ears to the point of deafening effects.  Anjalts is an eco-aware artist/songwriter that exudes nature into what she creates with a consciousness of reminding us of the bigger picture, challenging our humanity as caregivers of the earth to do better.  And why not?  Isn’t that what art is supposed to do?

Lyrically the song talks about time.  Speaking to the artist on the phone, she had me wondering and getting all philosophical because it’s hard not to, especially when you listen to her soft voice asking you a riddle like “what is the real wealth we as humans have?” I said my paycheck on Fridays *wink~ And the answer is Time!  The choices we make in that little time-space are key.  Her songwriting in verse one resonates:

Time

Is all we have again

I want to run away with you

Do you think we’ll make it through?

Time

Is all we have left

I couldn’t see what you were going through

I wish it was me and not you

Calling Out, Calling out to you

Anjalts music is like a therapeutic outlet especially learning about the struggles faced by young people today regarding depression and suicide rates impacting their daily lives.  I do try ‘not’ to watch the news.  Still, every time I peak on my smartphone slide over to see what’s up.  It is not complicated to understand the extraordinary challenges youngsters confront today, which probably weren’t there 20 years ago.

‘Calling Out’ is magically uncomplicated and empowering.  It’s a shout-out to start the dialogue of facing these hardships, and maybe we have to begin resetting our noisy brain back to nature.  A reminder from a down-to-earth artist breaking the mould for young people and what kind of future is in store for them.  It’s an artist growing too in a chaotic time where escapism to deafening sounds seems easier than listening to the birds in the trees or the rain droplets on a rooftop.  Eventually, the noise, the hype and the lights died down, and there is only one more click to the next song in my headphone.  And in the distance, a tinkering piano improvisation of unpredictable sounds and a soft ethereal Anjalts voice ‘Calling Out’ to you.

Like a reset button to calm focus and subtle awareness. Like a breath of fresh air.

Listen to “Calling OutHERE

CONNECT WITH ANJALTS

Official Website: https://anjalts.com

Instagram: https://www.instagram.com/anjalts/

YouTube: https://www.youtube.com/c/AnjaltsMusic

Song link: https://music.anjalts.com/calling 

Trevor Wayne – Writer/journalist with articles on Google News sites, Art & Music Blogs, keeping it real for my readers looking for an alternative look at New Music, Art, NFTs, the underground Indie music scene, Radio alternatives that make the Music scene so much better.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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