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Discovering ‘Calling Out’ Anjalts Tinkering Piano Ballad

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Trevor Wayne -Writer

Noise-canceling headphones on, and it’s onto another round of new music Friday, scrolling and listening from all genres coming through the streaming platforms.   A litmus test to the senses and one song stood out with an uncanny magical effect to hit repeat.  The song is ‘Calling Out’ by multi-talent wunderkind Anjalts, an emerging super-shy artist I had the pleasure of meeting about a year ago when she released ‘Somewhere in the Sky’ and a bunch of other super releases.  But this soft ballad of a quiet tinkering piano pulsates like a heartbeat against the thunder and raindrops lingering in the background filling up my headphones with sounds that immerse your noisy brain to just sit back, relax and let it in.   Feel the prana flowing in like eternal sunshine of bliss, except it’s a rainy thundering rainforest feels and Anjalts celestial voice calling out from afar.  It’s an intimate ballad right from the start.  The effects composed by this rising star fuse a very different approach in a neo-pop psychedelic arrangement of atmospheric serenity not felt in a long time.  And it just keeps getting better.

‘Calling Out’ is reshaping the way mixes are done to inspire the senses instead of turning up the volume of the boom in our ears to the point of deafening effects.  Anjalts is an eco-aware artist/songwriter that exudes nature into what she creates with a consciousness of reminding us of the bigger picture, challenging our humanity as caregivers of the earth to do better.  And why not?  Isn’t that what art is supposed to do?

Lyrically the song talks about time.  Speaking to the artist on the phone, she had me wondering and getting all philosophical because it’s hard not to, especially when you listen to her soft voice asking you a riddle like “what is the real wealth we as humans have?” I said my paycheck on Fridays *wink~ And the answer is Time!  The choices we make in that little time-space are key.  Her songwriting in verse one resonates:

Time

Is all we have again

I want to run away with you

Do you think we’ll make it through?

Time

Is all we have left

I couldn’t see what you were going through

I wish it was me and not you

Calling Out, Calling out to you

Anjalts music is like a therapeutic outlet especially learning about the struggles faced by young people today regarding depression and suicide rates impacting their daily lives.  I do try ‘not’ to watch the news.  Still, every time I peak on my smartphone slide over to see what’s up.  It is not complicated to understand the extraordinary challenges youngsters confront today, which probably weren’t there 20 years ago.

‘Calling Out’ is magically uncomplicated and empowering.  It’s a shout-out to start the dialogue of facing these hardships, and maybe we have to begin resetting our noisy brain back to nature.  A reminder from a down-to-earth artist breaking the mould for young people and what kind of future is in store for them.  It’s an artist growing too in a chaotic time where escapism to deafening sounds seems easier than listening to the birds in the trees or the rain droplets on a rooftop.  Eventually, the noise, the hype and the lights died down, and there is only one more click to the next song in my headphone.  And in the distance, a tinkering piano improvisation of unpredictable sounds and a soft ethereal Anjalts voice ‘Calling Out’ to you.

Like a reset button to calm focus and subtle awareness. Like a breath of fresh air.

Listen to “Calling OutHERE

CONNECT WITH ANJALTS

Official Website: https://anjalts.com

Instagram: https://www.instagram.com/anjalts/

YouTube: https://www.youtube.com/c/AnjaltsMusic

Song link: https://music.anjalts.com/calling 

Trevor Wayne – Writer/journalist with articles on Google News sites, Art & Music Blogs, keeping it real for my readers looking for an alternative look at New Music, Art, NFTs, the underground Indie music scene, Radio alternatives that make the Music scene so much better.

Entertainment

Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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