The loving wife of Styles, played by Florence Pugh, begins to notice cracks in their relationship and in their reality.
Just relax, dear, since “Victory is safe and secure.”
The most recent trailer for Olivia Wilde’s psychological suburban thriller “Don’t Worry Darling” advises us that turmoil is the “enemy of progress” in a hauntingly ordinary and segregated life corralled by a white picket wall and the commitment of never-ending marital joy.
Be that as it may, as Alice (Florence Pugh) becomes careful about her significant other Jack (Harry Styles) apparently diverting her with incredible sex (even chief Wilde guaranteed the film will be about “female delight”), the veneer of an ideal life begins to break… .
Fellow neighbors played by Gemma Chan, KiKi Layne, Nick Kroll, Sydney Chandler, Kate Berlant, Asif Ali, Douglas Smith, Timothy Simons, and Ari’el Stachel begin to detail precisely the same meet-adorable story of succumbing to their mates, and it seems like Victory may simply be a deception all things considered. Yet, as Alice begins to address an ever increasing number of parts of her day to day routine, Victory pioneer Frank (Chris Pine) begins to push back.
“I’ve been hanging tight for somebody like you, somebody to challenge me,” Pine shares with Pugh in the trailer, while Pugh muses it’s “about control” over ladies.
“Don’t Worry Darling” will premiere at 2022 Venice Film Festival prior to debuting in theaters September 23.
The movie is directed by Wilde, who likewise stars, utilizing a screenplay composed by Katie Silberman, in view of a story via Carey Van Dyke and Shane Van Dyke, and Silberman.
The official synopsis reads: “Alice and Jack are fortunate to be living in the idealized community of Victory, the exploratory organization town lodging the ones who work for the highly classified Victory Project and their families. The 1950’s cultural positive thinking embraced by their CEO, Frank — equivalent amounts of corporate visionary and persuasive holistic mentor — secures each part of day to day existence in the very close desert ideal world. While the spouses go through each day inside the Victory Project Headquarters, chipping away at the ‘improvement of moderate materials,’ their wives — including Frank’s rich accomplice, Shelley (Chan) — get to invest their energy partaking in the magnificence, extravagance, and revelry of their local area. Life is great, with each inhabitant’s requirements met by the organization. All they ask consequently is tact and unquestioning obligation to the Victory cause.”
The description continues, “However when cracks in their idyllic life start to show up, uncovering blazes of something substantially more evil hiding underneath the alluring façade, Alice can’t resist the urge to address precisely exact thing they’re doing in Victory, and why. Exactly how much is Alice able to lose to uncover what’s truly happening in this paradise?”
“Don’t Worry Darling” is produced by chief Wilde, screenwriter Silberman, Miri Yoon, and Roy Lee, with Richard Brener, Celia Khong, Alex G. Scott, Catherine Hardwicke, Carey Van Dyke, and Shane Van Dyke leader producing.
The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.
Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.
It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.
What the Box Office Success of Wicked Means
Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:
Title
Domestic
Worldwide
Inside Out 2
$653 million
$1.7 billion
Deadpool & Wolverine
$637 million
$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million
$717 million
Dune: Part Two
$282 million
$714 million
This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.
Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.
At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”
The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.
“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”
“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.
Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.
The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.
Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”
After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.
“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”
However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.
The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”
Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”
“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”
In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.