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Ellen Alexander – What it takes to make it in the modeling world in the US when coming from Russia

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What does it take to make it in the modeling world in the US when coming from Russia? Determination, hard work, and commitment to the goal is the answer we got from Ellen Alexander, a Russian supermodel now residing in Los Angeles, USA.

Ellen Alexander is more than a gorgeous model; she is also a talented singer, actress, and a business-savvy entrepreneur. Not a very common combination, it’s true! Let’s find out together how she managed to become one of the most-wanted models in the country!

 

How did you start modeling in the first place?

Ellen Alexander: I come from a family of scientists, and as a kid, I went to a lot of afterschool activities, including dancing, choir, and others. This is where a commercial director noticed me for the first time and invited me to do a photo shooting. I was like five years old. But I guess I was a model since I was born, in a way. My father is passionate about photography, and he was always taking pictures of me!

What was your first paid job in modeling?

Ellen Alexander: Because I was so young, I really don’t know if my parents got paid when I did my first commercials. I never asked; for me, it was a big deal, and I was very proud because it was a national commercial, everyone would get to see me, it was a lot to take in for someone so young. But I had lots of fun and learned a lot from each and every experience and project.

 

I know you moved from Russia to the UK and then to the US, was it hard to start over in each country?

Ellen Alexander: I don’t know if I’d call it hard, but I wouldn’t call it a piece of cake either! Things are very different here, compared to Russia. It’s a different set of values, a different world when it comes to modeling. In Russia, since I was a girl, there would be people stopping me on the streets of Moscow, asking if I want to do this project or the other if I want them to represent me. The US is very different, people are different, their working style is different, so it’s important to be able to adjust and adapt. And this is something I’m good at!

 

In your opinion, what do you need to succeed in the modeling business?

Ellen Alexander: Aside from talent, hard work, determination, and commitment? It’s very useful to have a good PR team and work with multiple agencies and managers. Choosing the people you work with carefully is important too; at least this was my experience.

 

Who was your favorite client/ brand you worked with?

Ellen Alexander: I like doing magazine covers; this is my dream job in modeling. Especially if we’re talking about Vogue magazine! I don’t have a favorite client or brand; I’m easy to work with and very adaptable, so I can easily make things work, whatever the client might want. However, I did enjoy working with Guess. I like their designs too, and it was a great environment to get creative! It would be lovely to collaborate with them again in the future.

 

What project or brand would you like to work with in the future?

Ellen Alexander: I’m always looking for projects that challenge me, creative projects, working with interesting, passionate people – this is what I like now and what I hope to do in the future too. BCBG is a local brand that I’d like to work with. But generally speaking, I’m open to all sorts of projects and brands.

Ellen’s new music video to her song “Shadows” has recently premiered and is available for everyone to enjoy on Youtube: 

To stay up to date with all things Ellen, and her new music follow her on 

Instagram @ellen.alexander. and @ellenalexandermodeling

Contact Ellen for business inquiries: 

Email: ellenalexandermodeling@gmail.com

Website: ellenalexander-la.com

Hannah Barwell is the most renowned for his short stories. She writes stories as well as news related to the technology. She wrote number of books in her five years career. And out of those books she sold around 25 books. She has more experience in online marketing and news writing. Recently she is onboard with Apsters Media as a freelance writer.

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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