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Fox Business canceled ‘Lou Dobbs Tonight,’ its highest-rated television show

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Lou Dobbs, the long-lasting host of the mark traditional television show on the Fox Business Network, was canned by the network on Friday night.

“Lou Dobbs Tonight” is behind closed doors, from this point forward, a Fox spokesperson confirmed. An interval show will have Dobbs’ spot at 5 and 7 p.m. Eastern beginning Monday.

It was a head-scratching change by Fox Business, since Dobbs was its most elevated evaluated have, though on a generally low-appraised network. He frequently multiplied his lead-in’s evaluations, which is an uncommon accomplishment in TV.

Dobbs, a veteran financial news anchor, got known at Fox Business for his slavish supportive of Trump programs. He was one of the previous president’s biggest boosters on TV, and Trump consistently expressed gratitude toward him consequently.

In one of Trump’s first statements since going out, he profusely applauded his companion, saying Dobbs “is and was great. Nobody loves America more than Lou. He had a large and loyal following that will be watching closely for his next move, and that following includes me.”

The favorable to Trump propaganda bent juiced Dobbs’ evaluations. However, his extreme right programming decisions over and again caused alarm inside the organization, a source near the matter said, and his program was a misfortune chief for Fox in light of the fact that numerous sponsors would not like to be related with his content.

Most as of late, Dobbs was named in a $2.7 billion lawsuit filed by a democratic innovation organization, Smartmatic, on Thursday.

The lawsuit asserts that Dobbs and other Fox has slandered Smartmatic while sustaining President Trump’s lies about election fraud.

A source near Dobbs affirmed that he had been “benched” by the organization. Dobbs declined to comment.

The Los Angeles Times, what broke the news, said Dobbs “remains under contract at Fox News but he will in all likelihood not appear on the company’s networks again.”

This is a referred to thing in the TV business as “pay or play” – an network can pick to continue to pay a host yet not put them on TV, keeping them out of the hands of rival outlets.

Sources at Fox showed that the Smartmatic lawsuit was only one factor in the choice to drop Dobbs. His feeble exhibition with publicists was additionally a huge factor, one of the sources said.

In any case, Fox is unmistakably under colossal lawful tension from Smartmatic and another citizen frameworks firm, Dominion, which has taken steps to sue the organization, however has not done as such to date.

Smartmatic’s suit against Fox named Dobbs and two other Fox has, Jeanine Pirro and Maria Bartiromo, as respondents.

Legal lawsuit have said the body of evidence against the traditionalist link channel is solid. CNN lawful investigator Ellie Honig portrayed it as a “legitimate threat” to Fox and added, “There is real teeth to this.”

The claim blamed Dobbs for having been “one of the primary proponents” of a “disinformation campaign” against Smartmatic.

Smartmatic’s claim distinguished numerous cases in which Dobbs’ program advanced paranoid fears about the 2020 political race results and said that his conduct was “contrary to his public persona” of being a “provider of factual information” to his watchers.

In addition to the fact that Dobbs allowed visitors to malign Smartmatic, the claim said, yet he “took the initiative and contributed additional falsehoods to the narrative.”

A Fox spokesperson said in an statement in the interest of the network and its hosts Thursday that it was “proud” of its 2020 election coverage and said it would “vigorously defend this meritless lawsuit in court.”

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Wiz will pay $450 million to acquire Cloud Remediation Startup Dazz

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Wiz revealed on Thursday that it will buy channel-focused company Dazz in an agreement to add cloud remediation capabilities to the vendor’s cloud and AI security platform.

With features like application security posture management and continuous threat and exposure management, Dazz provides a remediation-focused cloud security platform.

Jared Phipps, a seasoned cybersecurity industry executive who most recently worked for SentinelOne, was hired by Dazz in February as its CRO as the business sought to expand its collaboration with channel partners. Presidio, situated in New York, has been one of the key partners.

Dazz said in July that it has raised a $50 million round of funding, increasing its total funding since its 2021 launch to $110 million.

Dazz provides a “industry-leading remediation engine,” according to a post published on Thursday by Wiz Co-Founder and CEO Assaf Rappaport, which will allow Wiz to “empower security teams to correlate data from multiple sources and manage application risks in one unified platform.”

This is Wiz’s third purchase overall and its second acquisition of 2024 after the company’s April acquisition of cloud detection and response provider Gem Security.

Wiz, a four-year-old startup, reported in May that it had raised $1 billion in new capital at a $12 billion valuation, citing its continued strong development in the cloud and AI security areas. Annual recurring revenue (ARR) for the business reportedly increased from $350 million earlier this year to above $500 million.

After making a number of management additions aimed at facilitating quicker partner-driven growth, Rappaport stated in February that Wiz would prioritize its channel operations moving ahead.

I“In cybersecurity partners are super, super important in the success of a company. So we’ve always [seen that] this has huge potential for us to tap into. I think there is so much more we can do,” he stated at the time.

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ProRata, an AI startup, Teams up with UK Publishers after reportedly Hitting $130 Million in Valuation

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A number of well-known British media outlets have joined ProRata, an AI firm that claims to compensate publishers for the usage of their work, in its expanding network of partnerships.

The Los Angeles-based firm announced on Wednesday that it has signed licensing deals with publishers such as Sky News, the Guardian, and the Daily Mail’s publisher, DMG Media.

In a recent Series A funding round, ProRata raised $25 million from investors such as the Mayfield Fund, Prime Movers Lab, and Revolution Ventures.

“ProRata’s founder and CEO Bill Gross said his firm’s AI technology is the only one that pledges to credit and compensate creators, while providing users with accurate search results.

“We have had hundreds of content owners and media companies reach out to us from around the world who are interested in piloting our technology. Stealing and scraping content is not a sustainable path forward,” he continued.

Similar alliances have previously been formed by ProRata with the German publisher Axel Springer, the Atlantic, Fortune, Time, and Universal Music Group (UMG).

Media firms are offered reasonable compensation by ProRata for the use of their content. The startup’s in-house technology may determine the proper amount of pay by evaluating the worth of the information used to create responses from an AI platform. This would make it possible to pay copyright holders for their work on a per-use basis.

Gross had previously said that AI platforms have been using “shoplifted, plagiarized content,” which fosters an atmosphere in which “disinformation thrives and creators get nothing.”

Gross is recognized for having created the pay-per-click model of internet search monetization with his business, GoTo.com, which was eventually acquired by Yahoo! in 2003.

In a recent blog post, Tige Savage, a cofounder of Revolution, stated that Bill Gross is a serial entrepreneur with extensive experience in monetization techniques.

“He’s attracted a world-class tech team led by AI luminary Tarek Najm to implement the vision and an accomplished business team, including Annelies Jansen and Jonas Lee to drive content and AI partnerships,” Savage continued.

The unpaid use of copyrighted materials by OpenAI and other tech companies to train their AI systems has led to litigation from media companies and other content creators.

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Film Bazaar Unveils an Interactive Cinema App from an Indian Tech Startup

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Arjun Nittoor, the founder of the Indian technology firm Vireza, disclosed at Film Bazaar that the company is creating a new mobile application that would transform the experience of watching movies in theaters by enabling viewers to engage with the films in real time.

The technology, which was created wholly in-house at the company’s research and development department in Bengaluru, allows viewers to use their smartphones to vote on important plot points during the movie. To keep up with the current screening, patrons download an app before entering the theater and scan a QR code at their seat.

“The film industry is one of the few sectors where the audience experience has seen minimal technological disruption in theatres,” Nittoor stated. “While screen and sound quality have advanced and 3D has been partially adopted, the viewing experience has largely remained the same for decades.”

The screen automatically brightens to show voting options and dims again when choices are made. The system uses discreet phone notifications to encourage audience participation around every ten minutes.

In 2026, Vireza intends to introduce the technology with a full-length interactive movie that will be produced in both English and South Indian for international distribution. The business is presently in the development stage and will shortly start doing multiplex chain trial screenings.

CtrlMovie’s prior success in the interactive film industry was mentioned by Nittoor. CtrlMovie is well-known for “Traces of Responsibility” and “Late Shift.”

In order to overcome the difficulties in cinematography, editing, shot composition, and writing that plagued previous attempts at the format, the firm has spent five years creating what Nittoor refers to as “a new science of filmmaking” that is especially tailored for interactive cinema.

“Despite the proliferation of viewing devices, big-ticket films continue to draw massive crowds to theatres, with box office numbers higher than ever,”  Nittoor stated. “This demand underscores the potential for a meaningful technology shift that could draw audiences out of their homes and into cinemas.”

Other Asian businesses are likewise investigating audience-driven narrative in motion pictures. In February of the following year, Japan’s King Records intends to release “Hypnosis Mic – Division Rap Battle,” an animated interactive film.

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