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Ned Beatty, indelible character actor of ‘Deliverance’ and ‘Network,’ dies at 83

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Ned Beatty, the indelible character actor whose first film role as an genial vacationer brutally raped by a backwoodsman in 1972′s “Deliverance” launched him on a long, prolific and accomplished career, has died. He was 83.

Beatty’s manager, Deborah Miller, said Beatty died Sunday of natural causes at his home in Los Angeles encompassed by friends and loved ones.

After years in regional theater, Beatty was cast in “Deliverance” as Bobby Trippe, the happy-go-lucky member of a male river-boating party terrorized by backwoods thugs. The scene where Trippe is brutalized became the most memorable in the movie and set up Beatty as an actor whose name moviegoers might not have known however whose face they generally perceived.

“For people like me, there’s a lot of ‘I know you! I know you! What have I seen you in?’” Beatty remarked without rancor in 1992.

Beatty got just a single Oscar nomination, as supporting actor for his role as corporate leader Arthur Jensen in 1976′s “Network,” yet he added to probably the most famous motion pictures of his time and worked continually, his credits including in excess of 150 films and TV shows.

He was similarly memorable as Otis, the idiot henchman of villainous Lex Luther in the initial two Christopher Reeve “Superman” movies and as the racist sheriff in “White Lightning.” Other films included “All The President’s Men,” “The Front Page,” “Nashville,” and “The Big Easy.” In a 1977 interview, he had clarified why he favored being a supporting actor.

“Stars never want to throw the audience a curveball, but my great joy is throwing curveballs,” he said. “Being a star cuts down on your effectiveness as an actor because you become an identifiable part of a product and somewhat predictable. You have to mind your P’s and Q’s and nurture your fans. But I like to surprise the audience, to do the unexpected.”

He landed a rare leading role in the Irish film “Hear My Song” in 1991. The genuine story of incredible Irish tenor Josef Locke, who vanished at the height of a brilliant career, it was all around inspected however to a great extent inconspicuous in the United States. Between movie, Beatty worked often in TV and theater. He had recurring roles in “Roseanne” as John Goodman’s dad and as a detective on “Homicide: Life on the Streets.”

On Broadway he won critical praise (and a Drama Desk Award) for his portrayal of Big Daddy in a revival of “Cat on a Hot Tin Roof,” a job he had first played as a 21-year-old in a stock company production. He made controversy, be that as it may, when he was cited in The New York Times on the abilities of his young co-stars, Ashley Judd and Jason Patric.

“Ashley is a sweetie,” he said, “and yet she doesn’t have a lot of tools.” Of Patric, he remarked: “He’s gotten better all the time, but his is a different journey.” His more recent movies included “Toy Story 3”in 2010 and two releases from 2013, “The Big Ask” and “Baggage Claim.” He retired soon after.

Ned Thomas Beatty was born in 1937 in Louisville, Ky., and brought up in Lexington, where he joined the Protestant Disciples of Christ Christian Church. “It was the theater I attended as a kid,” he told The Associated Press in 1992. “It was where people got down to their truest emotions and talked about things they didn’t talk about in everyday life. … The preaching was very often theatrical.” For a period he considered turning into a cleric, yet altered his perspective after he was projected in a high school production of “Harvey.”

He spent 10 summers at the Barter Theater in Abingdom, Virginia, and eight years at the Arena Stage Company in Washington, D.C. At the Arena Stage, he showed up in Chekhov’s “Uncle Vanya” and featured in Arthur Miller’s “Death of a Salesman.” Then his life changed always when he took a train to New York to try out for chief John Boorman for the part of Bobby Trippe. Boorman revealed to him the job was projected, yet adjusted his perspective in the wake of seeing Beatty tryout. Beatty, who wedded Sandra Johnson in 1999, had eight kids from three past marriages.

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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