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Ned Beatty, indelible character actor of ‘Deliverance’ and ‘Network,’ dies at 83

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Ned Beatty, the indelible character actor whose first film role as an genial vacationer brutally raped by a backwoodsman in 1972′s “Deliverance” launched him on a long, prolific and accomplished career, has died. He was 83.

Beatty’s manager, Deborah Miller, said Beatty died Sunday of natural causes at his home in Los Angeles encompassed by friends and loved ones.

After years in regional theater, Beatty was cast in “Deliverance” as Bobby Trippe, the happy-go-lucky member of a male river-boating party terrorized by backwoods thugs. The scene where Trippe is brutalized became the most memorable in the movie and set up Beatty as an actor whose name moviegoers might not have known however whose face they generally perceived.

“For people like me, there’s a lot of ‘I know you! I know you! What have I seen you in?’” Beatty remarked without rancor in 1992.

Beatty got just a single Oscar nomination, as supporting actor for his role as corporate leader Arthur Jensen in 1976′s “Network,” yet he added to probably the most famous motion pictures of his time and worked continually, his credits including in excess of 150 films and TV shows.

He was similarly memorable as Otis, the idiot henchman of villainous Lex Luther in the initial two Christopher Reeve “Superman” movies and as the racist sheriff in “White Lightning.” Other films included “All The President’s Men,” “The Front Page,” “Nashville,” and “The Big Easy.” In a 1977 interview, he had clarified why he favored being a supporting actor.

“Stars never want to throw the audience a curveball, but my great joy is throwing curveballs,” he said. “Being a star cuts down on your effectiveness as an actor because you become an identifiable part of a product and somewhat predictable. You have to mind your P’s and Q’s and nurture your fans. But I like to surprise the audience, to do the unexpected.”

He landed a rare leading role in the Irish film “Hear My Song” in 1991. The genuine story of incredible Irish tenor Josef Locke, who vanished at the height of a brilliant career, it was all around inspected however to a great extent inconspicuous in the United States. Between movie, Beatty worked often in TV and theater. He had recurring roles in “Roseanne” as John Goodman’s dad and as a detective on “Homicide: Life on the Streets.”

On Broadway he won critical praise (and a Drama Desk Award) for his portrayal of Big Daddy in a revival of “Cat on a Hot Tin Roof,” a job he had first played as a 21-year-old in a stock company production. He made controversy, be that as it may, when he was cited in The New York Times on the abilities of his young co-stars, Ashley Judd and Jason Patric.

“Ashley is a sweetie,” he said, “and yet she doesn’t have a lot of tools.” Of Patric, he remarked: “He’s gotten better all the time, but his is a different journey.” His more recent movies included “Toy Story 3”in 2010 and two releases from 2013, “The Big Ask” and “Baggage Claim.” He retired soon after.

Ned Thomas Beatty was born in 1937 in Louisville, Ky., and brought up in Lexington, where he joined the Protestant Disciples of Christ Christian Church. “It was the theater I attended as a kid,” he told The Associated Press in 1992. “It was where people got down to their truest emotions and talked about things they didn’t talk about in everyday life. … The preaching was very often theatrical.” For a period he considered turning into a cleric, yet altered his perspective after he was projected in a high school production of “Harvey.”

He spent 10 summers at the Barter Theater in Abingdom, Virginia, and eight years at the Arena Stage Company in Washington, D.C. At the Arena Stage, he showed up in Chekhov’s “Uncle Vanya” and featured in Arthur Miller’s “Death of a Salesman.” Then his life changed always when he took a train to New York to try out for chief John Boorman for the part of Bobby Trippe. Boorman revealed to him the job was projected, yet adjusted his perspective in the wake of seeing Beatty tryout. Beatty, who wedded Sandra Johnson in 1999, had eight kids from three past marriages.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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