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Passion Pictures Unveils Groundbreaking Mini Documentary Series: “AP Dhillon: First Of A Kind”

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[London, August 18, 2022] – Passion Pictures, the renowned documentary production company, is proud to present a groundbreaking mini documentary series that is set to captivate audiences around the world. “AP Dhillon: First Of A Kind” is the first-ever docuseries to delve into the dynamic world of Punjabi hip-hop and explore the origins of one of the most prominent faces of the musical zeitgeist, AP Dhillon.

In a world where music is a universal language, “AP Dhillon: First Of A Kind” promises to be a game-changer, offering a unique and intimate perspective on the artist’s journey, and the cultural and musical revolution he represents. This documentary series is a testament to Passion Pictures’ commitment to telling powerful stories that resonate with a global audience.

The docuseries comprises multiple episodes, each offering a deep dive into the life, music, and cultural significance of AP Dhillon. Viewers will gain unprecedented access to his world, from the humble beginnings of his career to his meteoric rise in the Punjabi hip-hop scene. This mini documentary series will explore the challenges, sacrifices, and triumphs that have defined AP Dhillon’s artistic journey.

“I am thrilled to announce ‘AP Dhillon: First Of A Kind,’ a project that has been a labor of love for our team,” said the producer of the series. “It is a testament to our commitment to storytelling, and the power of music as a means of self-expression and cultural exploration. AP Dhillon’s story is not only about music but also about the intersection of cultures, the pursuit of dreams, and the impact of an artist on society.”

AP Dhillon, a British artist of Punjabi descent, has been at the forefront of the Punjabi hip-hop revolution, blending Western and Eastern musical influences to create a sound that has resonated with millions of fans worldwide. His rise to fame has not only shattered boundaries but has also given a voice to the Punjabi community and their stories.

“AP Dhillon: First Of A Kind” will feature exclusive interviews with AP Dhillon himself, as well as key figures in the Punjabi hip-hop scene. Viewers will get an inside look at his creative process, his influences, and the challenges he has faced as an artist. The series will also shed light on the broader cultural significance of Punjabi hip-hop, its impact on the global music industry, and its role in breaking down stereotypes and fostering understanding.

Passion Pictures, with its long-standing commitment to producing award-winning documentaries, is the ideal production company to bring this groundbreaking docuseries to life. Their dedication to storytelling, their expertise in the documentary genre, and their track record of producing critically acclaimed work make them the perfect partner for this project.

As the world eagerly anticipates the release of “AP Dhillon: First Of A Kind,” Passion Pictures invites audiences to join them on this captivating journey through the life and artistry of AP Dhillon and the vibrant world of Punjabi hip-hop.

Stay tuned for the official release date, and be prepared to embark on a cultural and musical adventure like no other. For more information about the series and updates, please visit https://www.passion-pictures.com or follow Passion Pictures on Instagram Facebook

For any inquiries, please contact:

General Enquiries –  info@passionpicture.co.uk 020 7323 9933

Documentary Enquiries docs@passionpicture.co.uk

Andrew Ruhemann – Executive Producer – andrew.ruhemann@passionpicture.co.uk

Amy Foster – Executive Producer – amy.foster@passionpicture.co.uk

Commercial Scripts newbusiness@passionpicture.co.uk

Specialist Factual Enquiries gabyb@passionpicture.co.uk

About Passion Pictures:

Passion Pictures is a globally recognized documentary production company known for its commitment to telling compelling stories. With a diverse portfolio of award-winning documentaries, they have a proven track record of producing content that resonates with audiences worldwide.

Disclaimer: This press release is a fictional creation and not affiliated with Passion Pictures or AP Dhillon.

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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