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Philadelphia Artist FuzzMack is Growing A Loyal Following

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FuzzMack is a Philadelphia based artist who is building a loyal following for his Gospel, Neo-Soul, and Trap influenced sound. With three songs out on his Spotify, he already has over 35,000 total streams.

Of his three songs, his highest performing to date is titled “Coke & Mentos” which has nearly 19,000 streams by itself. FuzzMack is currently promoting the music video for this track and it’s a can’t miss visual experience.

Given the swelling buzz around FuzzMack and the video he’s promoting, we caught up with the emcee to talk about his music, influences, goals, and his label HNRBL Records.

Getting to Know FuzzMack

Knowing the type of music that influences an artist is a great starting point to understanding them and their music. Seeing Gospel and Neo-Soul on FuzzMack’s sound influence list is no surprise for a man who’s from the City of Love, a city with deep roots in these genres as well as the world of Hip-Hop.

FuzzMack used the terms “Unique flow” and “Infectious sound” when describing his music. We found this to be spot on, and with this in mind, it should be no surprise some of the artists that he listed when we asked about influences for him as an artist.

“Young Thug, PartyNextDoor, Tame Impala, & Kanye West.”

Unique and infectious, indeed.

FuzzMack’s sound is definitely these things, we can certainly feel his influences in his sound, and we can feel the heart of Philadelphia in him as a musician. But to truly know him and his music, you have to hear it for yourself.

FuzzMack’s Music

As we mentioned off of the top, he is currently promoting a music video for his song “Coke & Mentos”, and he has three songs on Spotify at this time. We took a look at all three songs and the aforementioned video, and here are our thoughts.

“Coke & Mentos”

This song is funky, it’s full of soul, and it sounds straight out of the future. The simple hip-hop kit reels you in, the atmospheric melody and chorus of sounds and noises add a futuristic feel that FuzzMack’s voice only accentuates.

In short, this song’s vibe is out of this world.

The video is laid back, the track is a flowing soulful ride into the stratosphere, and the whole thing had us nodding our heads along with it. And when it comes to his flow, it was smooth, confident, and versatile. It’s no wonder that “Coke & Mentos” is putting up stats.

Check out the video here.

“Money Marriage”

This song comes at you with a blending of an old school east coast sound mixed with elements of the new school vocals. Yet again, FuzzMack delivers when it comes to creative and varied flows and lyrics across an incredible beat.

The music video is high-quality and adds to the music without getting in the way. A classic studio shot video that allows FuzzMack to shine while giving listeners something to watch.

Check out the video here.

“Victorious”

Victorious is a cool Hip-Hop/R&B styled track that has a real chill and soulful sound. FuzzMack’s marque vocals shine through once again and he puts a full flow show on by constantly switching tempos and schemes while delivering some great lyrical content.

He again shows off his ability as a song writer with this lyrical content and with an incredibly catchy hook. Check this song out on Spotify.

What’s Next for FuzzMack

With every artist we talk to, we ask them about their future and what we can expect from them. We took that question to FuzzMack, and here is what he told us.

“Next, it’s to push “Coke & Mentos” to the top of the charts.”

Focus is a skill that serves well in this industry, and this singular goal and focus will help him grow his career.

In addition to his career as an artist, FuzzMack is running a label that is also in his plans to grow. The label is named HNRBL Records and the goals are simple and virtuous.

“As a music business, we want to stay independent and be a staple in the industry as the “go to” for creating a hit record.”

FuzzMack continued on to say:

“We plan to bring an innovative approach to the industry, thus creating a staple for decades to come.”

This is a man with big goals for himself and his label and he’s set out to achieve them by crafting a unique and stunning sound that is catching on with listeners at a rapid rate. With a limited catalog at this time, he is showing unsigned artists the value in quality over quantity.

This approach to quality extends beyond just his music. When you look at his social profiles and music profiles you see consistent messaging and branding. Better yet, his visuals (images & music videos) are all high-quality, and his profile bio’s tell the same consistent story. For a man looking to build a career as an artist and a label owner, he’s already showing his firm grasp on the business side of things.

To keep up with FuzzMack, his new releases, and HNRBL Records, check out the links below and give him a follow/subscribe.

Spotify

YouTube

Website

Instagram

Twitter

Entertainment

Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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