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Prince Markie Dee, a member of the pioneering hip-hop group the Fat Boys, dies at 52

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Sovereign Markie Dee, an member from the pioneering hip-hop group the Fat Boys, died on Thursday, the group’s manager, Louis Gregory affirmed. He was 52. No reason for death has been given.

“Forever in my Heart. Prince Markie Dee was more than a rapper; he was one of my very best and closest friends,” Gregory wrote on Twitter. “My heart breaks today because I lost a brother. I’ll always love you Mark and I’ll cherish everything you taught me. Tomorrow is your birthday, swing my way big bro.”

Born Mark Anthony Morales on February nineteenth, 1968, he collaborated with Darren Robinson (the Human Beatbox) and Damon Wimbley (Kool Rock Ski) and performed under the name The Disco 3 preceding later turning into the Fat Boys. The gathering dispatched their vocation in 1983 when they won an talent contest at Radio City Music Hall and before the decade’s over they had gotten one of rap’s chief mainstream society ministers with the synchronous arrival of their platinum-selling fourth collection Crushin’ and their breakout satire film Disorderlies in the late spring of 1987. The triplet promoted beatboxing and goofy sense of humor and affable demeanors made them crucial for bringing rap music to the mainstream.

Their initial two albums — 1984’s self-named presentation and 1985’s The Fat Boys Are Back — were delivered by rap legend Kurtis Blow and included hits, for example, “Can You Feel It?,” “Jail House Rap,” and “The Fat Boys Are Back.”

“I would be walking and all of a sudden I would hear music ricochet off the walls, it would go ‘huh huh huh ha huh Hu Hu ha Fat Fat Fat boys , Fat Fat Fat boys,’ this was the first song they would play at the block party to summon you to appear,” Fat Joe wrote on Instagram. “Today’s news is sad the last member of the Fat Boys’ Prince Markie D morales has passed on he was a great guy a Legend and pioneer God bless my fellow Boriqua brother till we meet again.”

It was their Crushin’ front of “Wipeout” with the Beach Boys that gave them their greatest hit, arriving at Number 12 on the Billboard Hot 100. Their cover rendition of “The Twist” with Chubby Checker from Coming Back Hard Again hit Number 16 on the Hot 100 chart.

Following the Fat Boys’ separation, Dee dispatched a performance vocation and composed and created tunes for Mariah Carey, Jennifer Lopez and Mary J. Blige (the last account Morales’ “Real Love” to become her first Top Ten hit). His 1992 album Free garnered a Number One hit with “Typical Reasons (Swing My Way).”

He moved into radio later in his vocation, filling in as a drive-time host WMIB in Miami, and had his own show, The Prince Markie Dee Show on SiriusXM’s Rock the Bells station.

“They were figuratively (no weight jokes) the biggest act in hip hop at some point in time,” Questlove wrote on Instagram. “Like the first act that showed this culture might have some real international legs to it … They were so dope we just took them for granted. They did dope routines & dancesteps, albums went gold & platinum. Did movies & tv & commercials. They explored territories for the first time that today just seems like yawn a Tuesday.”

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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