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Rip Torn: Actor Known for ‘Men in Black’ and ‘The Larry Sanders Show,’ Dies at 88

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Rip Torn, a prolific actor best known for HBO’s “The Larry Sanders Show” and the “Men in Black” franchise, died Tuesday at his home in Lakeville, Connecticut, his representatives said. He was 88.

In a career spreading over six decades, Torn set up himself as a flexible performer, showing up in 10 Broadway plays (and guiding one), in excess of 80 feature films, and dozens of television shows.

Born Elmore Rual Torn Jr. in Temple, Texas in 1931, Torn studied acting at Texas A&M and the University of Texas, and served a stretch in the US Army before heading to Los Angeles in the mid 1950s. He made his film debut with an uncredited role in Elia Kazan’s 1956 film “Baby Doll,” before relocating to New York City to study at the Actor’s Studio.

Torn made his Broadway debut in 1959 as a major aspect of the first cast of Tennessee Williams’ “Sweet Bird of Youth” as “Tom, Jr.,” a role he would repeat for the component film and TV movie adaptations. He was nominated for a Tony award in 1960 and received a Theater World award for his performance.

Known for his gravely drawl and sinister-looking smile, Torn exceeded expectations playing obscure, flippant characters and altogether villains, for example, his delineation of the abhorrent wizard Maax in the dream film “The Beastmaster.” But he could also project no-nonsense authority, as he did playing the celestial attorney Bob Diamond in Albert Brooks’ “Defending Your Life,” or Zed in the first two “Men in Black” films. And in one of his most celebrated later roles, he combined those attributes in 2004’s “DodgeBall: A True Underdog Story,” as sleazy dodgeball legend Patches O’Houlihan, who delivers one of the film’s funniest lines: “if you can dodge a wrench, you can dodge a ball.”

Be that as it may, it was the 1992-1998 HBO satire “The Larry Sanders Show” for which Torn will be maybe best recalled. For playing Artie, the tenaciously steadfast assault canine of a producer who runs the eponymous show and deals with the delicate sense of self of its star, Torn was generally acclaimed. He got six Emmy selections, winning once in 1996, and over the show’s run was likewise designated for two American Comedy awards (winning one), an American Television Award, and four Cable Ace awards (winning one), among many other accolades.

“Larry Sanders” gave Torn a late-career boost, leading to well-regarded appearances in a wide range of films including Michael Mann’s “The Insider,” Curtis Hanson’s “Wonder Boys,” Sophia Coppola’s “Marie Antoinette,” and on TV shows including “30 Rock,” playing the fictional CEO of General Electric.

Torn likewise had a notoriety for contentious or whimsical conduct all through his vocation. He famously hit Norman Mailer with a mallet while making the 1970 film “Maidstone,” prompting a genuine fight between the two that must be separated by other actors. The fight was captured by rolling cameras and later included in the finished movie.

In 1994, during an appearance on “The Tonight Show with Jay Leno,” Dennis Hopper blamed Torn for undermining him with a blade during pre-generation on “Simple Rider.” Torn sued Hopper for maligning and won more than $900,00 in correctional and compensatory damages.

Also, in 2010, he was captured for breaking into a bank in Lakeville, Connecticut, and later accused of conveying a gun without a license and conveying a gun while inebriated. He in the end got a suspended sentence and probation.

Torn was married three times: to Ann Wedgeworth from 1955 to 1961, from Geraldine Page from 1963 until her death in 1987, and to Amy Wright from 1989 until his death. He is survived by Wright, his five children, his sister, and four grandchildren.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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