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Roku is rolling out 30 Quibi shows for free

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Quibi is coming back from the dead next week… kind of.

On May 20, Roku will make a big appearance the first batch of Roku Originals — an collection of 30 shows initially delivered for Quibi, the short-lived mobile entertainment startup led by Jeffrey Katzenberg and Meg Whitman. Roku paid considerably under $100 million for the resources of the defunct company, including rights to in excess of 75 shows generally.

The shows span genres and formats, comprising scripted series, documentaries, alternative and reality programming. Among the main “Roku Originals” coming one week from now are Kevin Hart’s action series “Die Hart,” Emmy-winning drama “#FreeRayshawn” starring Laurence Fishburne and Jasmine Cephas Jones, the revival of Comedy Central’s “Reno 911!” and “Dummy,” starring Anna Kendrick as a woman who befriends her boyfriend’s sex doll.

The lineup also includes “Chrissy’s Court,” a “Judge Judy”-style show starring Chrissy Teigen; a reboot of MTV’s “Punk’d” hosted by Chance the Rapper; Jennifer Lopez money-giveaway reality show “Thanks a Million”; and travel series “Cup of Joe” with Joe Jonas. On the scripted front, there’s “Most Dangerous Game,” a dystopian thriller starring Liam Hemsworth and Christoph Waltz; “Flipped,” a dark comedy with Will Forte and Kaitlin Olson; and a remake of “The Fugitive” starring Kiefer Sutherland.

The entirety of the Roku Originals will be accessible free on the Roku stage for viewers in the U.S., the U.K. furthermore, Canada. Roku is keeping Quibi’s unique scene lengths — around 10 minutes every, they should be intended for versatile review. The organization will serve promotions between Quibi scenes (not inside them), promising advertisement breaks of close to 60 seconds.

In the first quarter of 2021, The Roku Channel arrived at U.S. families with an expected 70 million individuals. The Roku Channel’s crowd reach and streaming hours dramatically increased year-over-year in the quarter — developing twice as quick as the by and large Roku platform.

“That makes this an opportune time to launch Roku Originals, to capture this momentum,” said Sweta Patel, VP of engagement growth marketing.

Here’s the full list of Quibi programs that will be available May 20:

“#FreeRayshawn”; “About Face”; “Bad Ideas with Adam Devine”; “Barkitechture”; “Big Rad Wolf”; “Blackballed”; “Centerpiece”; “Chrissy’s Court”; “Cup of Joe”; “Die Hart”; “Dishmantled”; “Dummy”; “Fight Like a Girl”; “Flipped”; “The Fugitive”; “Gayme Show”; “Iron Sharpens Iron”; “Last Looks”; “Let’s Roll with Tony Greenhand”; “Most Dangerous Game”; “Murder House Flip”; “Murder Unboxed”; “Nightgowns”; “Prodigy”; “Punk’d”; “Reno 911!”; “Royalties”; “Shape of Pasta”; “Thanks a Million”; and “You Ain’t Got These.”

Roku is launching the Roku Originals area on May 20, which the organization celebrates as “Streaming Day” (honoring the day in 2008 when it presented its first streaming player) and will again feature different retail discounts and promotions on products. On Roku gadgets, there will be another bar on the left-hand menu that connections straightforwardly to Roku Originals. The organization likewise will advance the first substance in on-screen promotions and plans to do landing page takeovers for specific titles.

Roku additionally is partnering with Laugh Out Loud, Kevin Hart’s multiplatform comedy brand, to dispatch the direct LOL! Organization to The Roku Channel one week from now. “LOL’s partnership with Roku is the culmination of a lot of hard work by two great teams, and I’m excited that both ‘Die Hart’ and LOL! Network will be available on The Roku Channel,” Hart said in a proclamation.

Roku Originals will join The Roku Channel’s lineup of in excess of 40,000 free movies and TV episodes, just as 190 plus free live linear channels and access to subscription VOD administrations. Notwithstanding Roku gadgets, The Roku Channel is accessible on the web, iOS and Android gadgets, Amazon Fire TV and select Samsung TVs.

Roku’s Patel said in the initial selection of 30 Quibi shows, the organization needed to make it as comprehensive as could really be expected. “We wanted to make sure we had something for everyone, with depth, breadth and diversity,” she said.

Roku actually has nearly 45 other Quibi shows in its back pocket (some of which are in postproduction and were never delivered by Quibi). Yet, shouldn’t something be said about after that? “We are continually proceeding to source content,” Patel said. “We are always continuing to source content,” Patel said. “We’re making sure it’s cost-effective content — whether we produce it in-house or use an outside production partner.” as well as obtaining Quibi’s content assets, Roku has recruited a few previous Quibi workers as it works out the original content team.

Patel added that Roku isn’t married to Quibi’s short-form episode format. “Whatever works for us is whatever works for AVOD,” she said.

In March, Roku paid $98 million to secure the producer of “This Old House” in a deal that included a library of in excess of 1,500 episodes. In any case, Roku will keep on distribute that content broadly, instead of making it accessible solely on The Roku Channel.

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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