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‘Tejas’ Review: It’s Hard to Believe An Air Combat Thriller Can Be Such a Fairy Tale

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When in doubt, suppose about the country – that is the mantra that Tejas, written and directed by means of Sarvesh Mewara and produced by means of Ronnie Screwvala’s RSVP Movies, harps upon. This is a movie that religiously adheres to that axiom. It is usually in doubt and it in no way lets the state slip out of its thoughts.

But attempt as tough as it may, Tejas comes a entire cropper – it is a dead-on-arrival cinematic consignment that does no justice at all to the nation, the Air Force or the medium. It is an insufferably bland thriller that believes that peddling patriotism can assist it paper over its pockmarks.

Toplined with the aid of a definitely out of her depth Kangana Ranaut in the function of an Indian Air Force pilot who flourishes on hazardous missions and empty platitudes, Tejas is a precariously low-flying car that by no means gathers any velocity. It lurches from one crashlanding to another.

It have to have taken some doing for the makers to turn an aviation actioner into such a stilted, insipid affair. The excruciatingly vacuous writing – the strains that the characters spout are proper out of a how-real-people-should-not-speak handbook, is aggravated manifold by means of the terribly sloppy performing all around.

Ranaut’s eponymous persona is a ‘rockstar’ in the guise of a fighter pilot who flies the single-engine mild fight plane that shares her name. Well, well, Tejas piloting a Tejas in a mission known as Tejas in a movie titled Tejas – how dramatic!

The movie has a scene in which the attraction of a popstar (Varun Mitra, who suggests up for a bit, is projected as the heroine’s romantic activity and then is viewed no extra due to the fact the female he desires to woo has a long way extra vital matters on her mind) is eclipsed by using the air of mystery that surrounds Wing Commander Tejas Gill (Ranaut). She is mobbed through autograph-hunting ladies who seem proper thru the preening crooner.

That, in a metafictional sense, is the sort of movie Tejas is. Nobody is allowed to steal the heroine’s thunder here. This is a Kangana Ranaut exhibit all the way and that is the film’s largest undoing. There isn’t always a single fleeting second – forget about an complete sequence – in Tejas in which the lead performer is convincing.

Ranaut used to be infinitely higher as Rani Lakshmibai (in Manikarnika: The Queen of Jhansi) than she is as an intrepid Air Force pilot. That, as is obvious, is pronouncing a lot. The persona she plays, all spunk and no substance, has a single dimension. She is aware of no doubts.

From her days in the Air Force academy to the volatile mission she undertakes in order to store an Indian undercover agent held hostage in Mir Ali city in Pakistan’s Khyber Pakhtunkhwa province, Tejas Gill is a fount of special Genius and unshakeable confidence. So, the personality has no arc to talk of. She starts the place she ends.

Tejas Gill’s supportive mother and father pop up in a few scenes however the two-hour movie has no house for the story of the protagonist’s developing up years. This ain’t no Gunjan Saxena: The Kargil Girl. All that Tejas lets on is that the female made up her thinking about turning into a fighter pilot when Prime Minister Atal Behari Vajpayee named India’s fighter plane Tejas.

The female-led movie touches upon the gender theme all right, however solely cursorily. The guys take a backseat as two ladies lead the cost in the climactic sequences. That is the factor that the movie tries to make with all its may however muffs up its lines.

Tejas plunges straight into a sortie that Tejas makes in the corporation of Afiya (Anshul Chauhan, the solely member of the solid who comes somewhere making an impression) to rescue an Air Force officer whose airplane has crashed in the sea and his physique has washed up on a prohibited island inhabited by way of the covered Sentinelese tribe.

Tejas refuses to again off notwithstanding orders from higher-ups and pulls off a daring rescue act, shaking off an assault with the aid of the tribals in the process. She is struck by means of arrows. But that is no extra than a expert hazard that is shrugged off except a good deal ado.

For their daring and selfless effort, she and Afiya – the title would possibly ring a bell however her non secular identification is fiercely guarded – face an inner inquiry. But considering that it is Kangana Ranaut who is in the line of fire, you comprehend that she is going to sail via unscathed.

Yes, that is the stage at which Tejas flies. Such are the flights of fancy that the exasperatingly listless movie indulges in that barely 30 minutes in, it turns into a bit of a slog that is difficult to take a seat through. Somebody says, Hum uddte uddte jaayenge, desh ke kaam aayenge. The protagonist takes that to heart. There is no stopping her from right here on.

As Tejas sits at the controls of her first solo trial sortie, the trainer asks her what she can see. The runway, she replies. Look harder, the man says. The woman pauses and pipes up: I can see the street that will assist me serve the nation. Spot on! She is geared up for greater things.

The film, unfortunately, by no means is. It crams in the whole lot that you would anticipate from a drama of this nature. In 2008 Mumbai, terrorists interrupt a satisfied household dinner. A shrieking, smirking mastermind harboured by means of Pakistan wishes to make sure the barbadi of Hindustan.

Also appear out for a ferocious executioner nicknamed Sar Qalam (meaning the act of decapitation) due to the fact of his talent at slitting the throats of hostages. But now not to worry, the enemy troopers that the protagonist has to deal with are a bunch of bumbling, easy-to-hoodwink men.

And for properly measure, there is a spanking new temple that faces the risk of an assault from three jihadists who sneak in to sabotage the inauguration of the grand edifice.

Logic is misplaced in the deafening din of the fight aircraft. Tejas is a movie that flies into hard climate from the phrase go and by no means manages to locate a way out of it. An air fight thriller has in no way been so frustratingly airy-fairy.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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