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The debut of Alizeh Agnihotri is a heist that earns a distinction

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Salman Khan’s niece Alizeh Agnihotri will make a grand debut in Jamtara director Sumendra Padhi’s new film.

Farey, Jamtara’s exam hall robbery thriller film directed by Sumendra Padhi, can be summed up between two ironies. First of all, compared to his 2017 Thai thriller Bad Genius, which is the original story, the film is more like an elite companion for the underdog protagonist. Both benefit from the invisible brilliance of lesser-known patrons.

If there’s anything to suggest that a year of redemption is near for mainstream Indian cinema, it’s that it’s going to be a brilliant plot featuring box office cred Pied Piper. Along with Farey are the activists of the ‘content-driven’ movement, which seems to have been sparked by the emergence of OTT storytelling from the house of Salman Khan.

The story begins with the clever protagonist writing an exam for a customer and receiving extra pocket money for it. A scene that cleverly highlights her personality type without getting too high. She is one of around 20 girls in a Delhi orphanage run by a couple (Ronit Roy and Juhi Babbar Soni), fresh from a project by Rajshri Productions. Our protagonist, Niyati, passes the Class 10 All India Examination and after she gets admitted to a prestigious school in the Student of the Year universe, she ends up befriending her group of ruling wealthy Biachis. Become.

Like capitalist opportunists, the callous gangsters (with a little help from the social climber protagonist) use their infinite coffers to extract the infinite academic potential of their new friends. I quickly realized what I could do. You know what’s going to happen (even if you haven’t seen “Bad Genius”), and there’s a certain lust and outrageousness to the way it comes and lands. Even Ronit Roy, who played the most sanskeletic role of his life (as the noble adoptive father Srashgaard), played the opposite of his breakthrough performance in Chak De, Shilpa Shukla (cool but amoral). He doesn’t even play the role of a typical school principal. India (2007), with its 2000s clichés and strict insistence on sincerity, may strain the Faustian pact its busy Gen Z types have made. Please try to imagine. They need Sydney’s beautiful sunsets to spend their time in the sun.

Another delicious irony of Farley is the casting of Alizeh Agnihotri as the underprivileged orphanage child prodigy who stares wide-eyed at the vile excess of resources in her wealthy best friend’s home. It’s comforting and reassuring to see Salman Khan’s niece bring her confident physical energy to her first acting role.

Sahil Mehta in “Tabar and Fortune” Jerry, who plays Akash, another scholarship student at Winston High School, elevates his performance with the fear of the depressed. Zane Shaw (The Class) has to try quite hard to look like a high schooler, but while she has a harmless youthful charm, she lacks the annoying sex appeal that actors sometimes exude. I’m not conscious of it. In fact, its lack of reliance on romantic tension is what makes Farley so refreshing and economical.

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Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

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The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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