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‘The Voice’ 2020 : Carter Rubin wins Season 19; Gwen Stefani beats fiancé Blake Shelton for first win

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Gwen Stefani has at long last won.

Carter Rubin was delegated the Season 19 champ of “The Voice” during Tuesday’s finale, giving Stefani her first success in her fifth season as a mentor. (She filled in as a mentor on Seasons 7, 9, 12 and 17.)

“Blake won last season, but I’m back this season and I’m going to get a win,” Stefani said during the season debut, subsequent to supplanting Nick Jonas. Also, she wasn’t lying. Apologies, Blake.

The 15-year-old Long Island, New York local turned into the most youthful male champ ever. Rubin once said he would “have been content with the seat turn,” however now he has a sparkling “Voice” prize.

At the point when his name was called, a puzzled Rubin covered his face in his grasp as confetti poured over the stage. A victorious Stefani joined her boss while more than once hollering, “You won!” Rubin shook his head in dismay.

Stefani obviously needed to share the second and grasp Rubin. She could be heard asking, “I can’t hug him?” But because of COVID-19 rules, the pair needed to keep a social distance even while celebrating.

“We’re trying to understand what is happening right now and we aren’t even supposed to be close to each other,” Stefani said in a Twitter video with Rubin afterwards.

Rubin first began his “Voice” venture at 14. He acquired two seat abandons Stefani and John Legend during his puncturing version of Lewis Capaldi’s “Before You Go.”

“You do not look like your voice… I cannot believe what I’m seeing and hearing right now,” Stefani said during the Blind Auditions. “My son is 14 years old, so I can be a mom figure for you because I am a mom.”

Stefani took on that part for Rubin all through the opposition and was brought to tears on a few events by her most up to date offspring. On Tuesday, Rubin told Stefani: “In addition to the fact that you are an exceptional mentor, you are a wonderful human… it’s a little glimpse of heaven to work with you.”

“You are so special as a human being. I just loved getting to know you. You’re inspiring. Thank you for choosing me,” Stefani told him.

Shelton called this season “special” on the grounds that there were questions about whether the NBC rivalry could proceed in the midst of the Covid pandemic.

“Just a few months ago, we weren’t even sure we were going to be able have a season,” Shelton said. “And now to see that we’ve been able to do this thing. I don’t feel like we’ve missed anything, outside of the studio audience.”

The in-person crowd may have been missing, however the ability wasn’t. Also, after an uncommon season filled with COVID-19 limitations – including Ryan Gallagher’s unexpected exit over supposed penetrated conventions – and social removing, the outcomes are in.

What’s more, it came down to Team Shelton versus Group Stefani. “To be a fly on the wall at the after party,” Daly kidded after the finale uncover.

At the point when the votes were counted, Jim Ranger (Team Shelton) completed in runner up; Ian Flanigan (Team Shelton) came in third; Desz (Team Kelly Clarkson) in fourth; John Holiday (Team Legend) in fifth.

“Congrats on the win @gwenstefani ! I’ll let this one slide!” Shelton tweeted afterwards. “@carterjrubin… if anyone beat #TeamBlake, I’m glad it’s you!!!!”

The two-hour season finale felt like a show, with in excess of twelve visitor exhibitions and post-rivalry two part harmonies with the Top 5 and their mentors.

Desz took a gander at home close to Clarkson on an amazing version of Chaka Khan’s “I’m Every Woman.” The team oozed certainty and vocal force in coordinating tulle skirts.

“The best Christmas gift I’m getting, y’all, is getting to sing with Desz,” Clarkson said.

The Johns (Legend and Holiday) collaborated on “a song of healing,” Simon & Garfunkel’s “Bridge over Troubled Water.” They sang from behind their particular pianos during the lovely two part harmony, acquiring an overwhelming applause from the remainder of the mentors.

Shelton had twofold obligation Tuesday with two finalists. He handled Waylon Jennings’ “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” with Flanigan. The cowpoke at that point cooperated with Ranger on Dwight Yoakam and Buck Owens’ “Streets of Bakersfield,” Ranger’s old neighborhood in California.

“I kind of made the decision that I was only going to do duets with Gwen Stefani, so I’m making a huge exception here for the both of you,” Shelton joked.

Stefani has all the earmarks of being on an unexpected page in comparison to her life partner since she played out their two part harmony “You Make It Feel Like Christmas,” sans Shelton. Rubin filled in Shelton’s cattle rustler boots on the Christmas single.

In any case, the genuine superstar was Stefani’s unusual occasion motivated getup. “Gwen, your dress is better than the tree in my house,” Daly said.

The Top 20 commenced the finale with a bubbly presentation of Brenda Lee’s “Rockin’ Around the Christmas Tree,” total with red reindeers, occasion lights and a monster Christmas tree.

Nelly and Florida Georgia Line’s Tyler Hubbard lit up the stage with a their hit tune “Lil Bit.” Capaldi played out his single “Before You Go” (a similar melody Rubin tried out with during the Blind Auditions).

24kGoldn and Iann Dior carried an energetic light show to the stage with their melody “Mood.” Lauren Daigle played out her uber hit “You Say” and JP Saxe and Julia Michaels sang the Grammy-assigned “If the World Was Ending.” (Michaels filled in as a guide for Team Stefani during the Battles.)

Jason Derulo joined the live transmission practically from his Winter Wonderland in Los Angeles for an exhibition of “Take You Dancing” and “Savage Love.” Dan + Shay joined from the Universal Studios backlot for “Take Me Home For Christmas.”

Keith Urban and Pink likewise matched up for a far off exhibition of “One Too Many.”

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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