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Tony Rice, bluegrass music legends of the 1970s, dies at 69

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Tony Rice, known as one of the leading bluegrass music legends of the 1970s, died on Christmas Day at age 69.

The International Bluegrass Music Association affirmed the news in an assertion gave to Fox News.

“It is with a heavy heart we say goodbye to one of the most iconic voices and musicians in bluegrass history. David Anthony ‘Tony’ Rice passed away at his home in Reidsville, N.C.,” the statement reads in part. “For those of us lucky enough to know and hear Mr. Rice, it is an impossible task to put into words his infinite skill and influence. As a singer, songwriter and guitar player, there are few that will ever match his impact on bluegrass and acoustic music.”

The artist’s former label, Rounder Records, further lauded the music legend in an assertion on Facebook.

“We were all deeply saddened by the news of Tony Rice’s sudden passing on Christmas Day, and we offer our deepest condolences to his loved ones and his many fans. May he Rest In Peace,” the post reads.

Rice was maybe most popular for playing with the band the New South close by Ricky Skaggs. Skaggs was among the unit of performers to share their musings on Rice’s vocation and impact after news broke of his passing.

“Tony Rice was the single most influential acoustic guitar player in the last 50 years. Many if not all of the Bluegrass guitar players of today would say that they cut their teeth on Tony Rice’s music. He loved hearing the next generation players play his licks. I think that’s where he got most of his joy as a player,” Skaggs wrote on Facebook.

He proceeded: “Not only was Tony a brilliant guitar player but he was also one of the most stylistic lead vocalists in Bluegrass music history. When I joined the group The New South in 1974, I knew I’d found a singing soul mate with Tony. Our voices blended like brothers. In 1980, we recorded the album ‘Skaggs And Rice’ for Sugar Hill as a tribute to our duet heroes with just the simplicity of guitar, mandolin and our voices. All these years later people tell me how much the purity of that record still touches their heart. That’s who Tony was, a singer from the heart.”

As indicated by Variety, Rice was an individual from J.D. Crowe’s New South in the mid 1970s prior to joining Skaggs. He would later perform with a horde of gatherings and even fronted a couple of, for example, The Tony Rice Unit. He was likewise noted for his work with banjoist Bela Fleck and Jerry Garcia.

The source reports that Rice’s 2013 enlistment into the International Bluegrass Hall of Fame was the last time he freely played guitar due to an ailment that made playing his adored instrument hard for him. He had not sung live since soon after being determined to have muscle-pressure dysphonia in 1994.

It didn’t take well before other down home craftsmen took to web-based media to offer their appreciation to Rice.

“I’m beyond heartbroken to hear about the passing of Tony Rice. No one has had a more profound impact on my musical world. His playing, singing, writing, and arranging broke the bluegrass mold and will eternally attest to the fact that music can take you anywhere, from anywhere,” wrote Chris Thile.

“Playing with Tony was like climbing aboard a magic carpet,” added Fleck. “His rhythm playing set you free…”

“Tony Rice inspired so many including a kid like me from East Tennessee who was in awe of the way he sang and played Me And My Guitar. I’ll never forget seeing him sing that at the IBMA Bluegrass Festival in Owensboro, Ky. It’s printed in my brain forever! Rest In Peace Tony Rice,” wrote Kenny Chesney.

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Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

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Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

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David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

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Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

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The Role of Vulnerability in Success: Hannah Love’s Guide to Embracing Your True Self

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In a world that often celebrates strength and success, vulnerability might seem like a weakness—but for Hannah Love, it’s a cornerstone of true personal growth and success. Throughout her journey, Hannah has discovered that embracing vulnerability isn’t just about being open with others; it’s about being honest with yourself. It’s through this honesty that real transformation begins.

Hannah’s life has been shaped by challenges that tested her resilience and forced her to confront deep-seated fears and insecurities. From childhood trauma to the emotional struggles of her twenties, she faced moments where vulnerability was not an option but a necessity. “For a long time, I saw vulnerability as a sign of weakness,” Hannah recalls. “I thought that if I let people see my pain, they would see me as less capable, less strong.”

However, as Hannah began to open up about her experiences, she realized that vulnerability was not her enemy—it was her greatest ally. It allowed her to connect with others on a deeper level, to share her struggles without shame, and to find strength in the very parts of herself that she had once tried to hide. “Vulnerability isn’t about being weak,” she explains. “It’s about being real. It’s about showing up as your true self, no matter how imperfect that self might be.”

One of the most significant lessons Hannah learned is that vulnerability is essential to building meaningful relationships. When we allow ourselves to be vulnerable, we create space for others to do the same. This mutual openness fosters trust and deepens connections, both personally and professionally. “The more I shared my story, the more I realized that others were going through similar struggles,” Hannah says. “By being vulnerable, I wasn’t just helping myself—I was helping others feel less alone.”

In her work as a mental health advocate, Hannah emphasizes the power of vulnerability in healing and personal development. She encourages others to embrace their imperfections, to share their stories, and to see vulnerability as a pathway to growth rather than a hurdle to overcome. “When we hide our true selves, we limit our potential,” she explains. “But when we embrace who we are, flaws and all, we open ourselves up to new possibilities.”

Hannah’s journey also taught her that vulnerability is closely linked to authenticity. For years, she tried to fit into societal molds, hiding her true feelings behind a mask of perfection. But this only led to more pain and disconnection. It was only when she started living authentically—when she stopped trying to be what others expected and started being herself—that she found true success. “Living authentically means embracing your vulnerabilities and showing up as your whole self,” she says. “It’s about being honest with yourself and others, even when it’s hard.”

Through her platform, Hannah continues to advocate for vulnerability as a key to personal and professional success. She believes that when we embrace our vulnerabilities, we not only empower ourselves but also inspire others to do the same. “Success isn’t just about what you achieve,” she explains. “It’s about how you achieve it—by being true to yourself and allowing others to see the real you.”

As Hannah prepares for her TEDx Miami talk, she is eager to share her insights on vulnerability and authenticity with a broader audience. She hopes to inspire others to embrace their true selves and to see vulnerability not as a weakness, but as a source of strength and connection. Her message is clear: in a world that often values perfection, it’s our imperfections—and our willingness to share them—that truly make us successful.

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