Connect with us

Entertainment

Tony Rice, bluegrass music legends of the 1970s, dies at 69

Published

on

Tony Rice, known as one of the leading bluegrass music legends of the 1970s, died on Christmas Day at age 69.

The International Bluegrass Music Association affirmed the news in an assertion gave to Fox News.

“It is with a heavy heart we say goodbye to one of the most iconic voices and musicians in bluegrass history. David Anthony ‘Tony’ Rice passed away at his home in Reidsville, N.C.,” the statement reads in part. “For those of us lucky enough to know and hear Mr. Rice, it is an impossible task to put into words his infinite skill and influence. As a singer, songwriter and guitar player, there are few that will ever match his impact on bluegrass and acoustic music.”

The artist’s former label, Rounder Records, further lauded the music legend in an assertion on Facebook.

“We were all deeply saddened by the news of Tony Rice’s sudden passing on Christmas Day, and we offer our deepest condolences to his loved ones and his many fans. May he Rest In Peace,” the post reads.

Rice was maybe most popular for playing with the band the New South close by Ricky Skaggs. Skaggs was among the unit of performers to share their musings on Rice’s vocation and impact after news broke of his passing.

“Tony Rice was the single most influential acoustic guitar player in the last 50 years. Many if not all of the Bluegrass guitar players of today would say that they cut their teeth on Tony Rice’s music. He loved hearing the next generation players play his licks. I think that’s where he got most of his joy as a player,” Skaggs wrote on Facebook.

He proceeded: “Not only was Tony a brilliant guitar player but he was also one of the most stylistic lead vocalists in Bluegrass music history. When I joined the group The New South in 1974, I knew I’d found a singing soul mate with Tony. Our voices blended like brothers. In 1980, we recorded the album ‘Skaggs And Rice’ for Sugar Hill as a tribute to our duet heroes with just the simplicity of guitar, mandolin and our voices. All these years later people tell me how much the purity of that record still touches their heart. That’s who Tony was, a singer from the heart.”

As indicated by Variety, Rice was an individual from J.D. Crowe’s New South in the mid 1970s prior to joining Skaggs. He would later perform with a horde of gatherings and even fronted a couple of, for example, The Tony Rice Unit. He was likewise noted for his work with banjoist Bela Fleck and Jerry Garcia.

The source reports that Rice’s 2013 enlistment into the International Bluegrass Hall of Fame was the last time he freely played guitar due to an ailment that made playing his adored instrument hard for him. He had not sung live since soon after being determined to have muscle-pressure dysphonia in 1994.

It didn’t take well before other down home craftsmen took to web-based media to offer their appreciation to Rice.

“I’m beyond heartbroken to hear about the passing of Tony Rice. No one has had a more profound impact on my musical world. His playing, singing, writing, and arranging broke the bluegrass mold and will eternally attest to the fact that music can take you anywhere, from anywhere,” wrote Chris Thile.

“Playing with Tony was like climbing aboard a magic carpet,” added Fleck. “His rhythm playing set you free…”

“Tony Rice inspired so many including a kid like me from East Tennessee who was in awe of the way he sang and played Me And My Guitar. I’ll never forget seeing him sing that at the IBMA Bluegrass Festival in Owensboro, Ky. It’s printed in my brain forever! Rest In Peace Tony Rice,” wrote Kenny Chesney.

Continue Reading
Advertisement

Entertainment

Wicked Box Office Hits Global Milestone, Poised to Surpass Kung Fu Panda 4 and Godzilla x Kong

Published

on

The box office for Wicked hits a significant milestone worldwide as it gets ready to surpass Godzilla x Kong and Kung Fu Panda 4.

Wicked is still doing well despite recent box office releases that have caused significant disappointment. The most recent Wizard of Oz musical was too good for the Spider-Man villain and the Tolkien adaption to compete with Kraven the Hunter and The Lord of the Rings: The War of the Rohirrim in the same week. Wicked has already exceeded its $145 million budget following a record-breaking first weekend that raked in over $160 million globally.

It has achieved even more success this past weekend. Variety said that after making $359 million domestically, the musical adaption made over $524 million internationally. It is currently on track to surpass Godzilla x Kong: The New Empire and Kung Fu Panda 4, which brought in $547.6 million and $571.1 million, respectively. Having significantly outperformed Grease’s $188.62 million total, it is also officially the highest-grossing Broadway adaption in domestic box office history.

What the Box Office Success of Wicked Means

Musicals and animated blockbusters are regaining their position at the box office after ten years of action film supremacy. Inside Out 2 and Despicable Me 4 have taken first and third place for the entire year, while Moana 2 and Wicked are the top films this weekend. With a $1.3 billion box office total, Deadpool & Wolverine is still in second place, but it’s probably the only action film to stay in the top five globally. Dune: Part Two may lose its position when Mufasa: The Lion King is released the following week:

TitleDomesticWorldwide
Inside Out 2
$653 million$1.7 billion
Deadpool & Wolverine
$637 million$1.3 billion
Despicable Me 4
$360 million
$970 million
Moana 2
$338 million$717 million
Dune: Part Two
$282 million
$714 million

This pattern is probably due to the fact that, other from Deadpool & Wolverine, neither DC nor Marvel have released any successful films this year. With Joker: Folie à Deux, DC tried to duplicate its $1 billion triumph, but it only made $200 million globally. With the exception of Wicked, every film in the top 10 global releases for 2024 has been a sequel, creating a distinct market. Based on a Broadway musical and The Wizard of Oz, Wicked is not a completely original film, but its box office performance does demonstrate that non-sequels may be successful in theaters in today IP-driven landscape.

Continue Reading

Entertainment

Danny Ramirez on Joaquin Phoenix Leaving the Gay Romance Film Directed by Todd Haynes

Published

on

Todd Haynes was planning to cast Danny Ramirez and Joaquin Phoenix in a gay romance movie. However, Phoenix left the untitled production five days before Guadalajara, Mexico, filming got underway.

At the Academy Museum Gala on Saturday night in Los Angeles, Ramirez told Variety’s Marc Malkin, “It’s definitely disappointing.” “If anything,” he continued, “If anything, it just gave me more inspiration to keep driving, keep pushing, and knowing that I’m on the right path and approaching the work the right way. So that’s what I’m excited about.”

The movie, which depended on Phoenix’s casting, was in danger after it was revealed in August that he had quit the production, according to sources. Two guys in love in the 1930s who escape Los Angeles and travel to Mexico were the main subject of the NC-17-rated movie.

“It’s definitely a very complicated situation,” Ramirez stated. “The audition process was extensive, and so what I walked away with that was just the artistic validation of throwing down opposite of [Phoenix] in this chemistry read… There was a moment that I was like, ‘Oh, I’ve arrived as a performer.’”

“The most recent update is ‘hopefully.’” Ramirez said in response to a question about whether the movie is still in development with filmmaker Haynes.

Continue Reading

Entertainment

David Schwimmer Remembers Rejecting “Men in Black”: ‘That Would Have Made Me a Hollywood Star’

Published

on

Although David Schwimmer admits his “career would have taken a very different trajectory” if he had been the lead in the 1997 movie, he doesn’t regret declining Men in Black.

The actor said, “That’s not why I turned it down,” in response to a question on a recent episode of the podcast Origins With Cush Jumbo regarding whether he rejected down the successful franchise because it conflicted with his Friends filming schedule. Rather, he decided to become a feature film director.

Schwimmer said, “[It] was a brutal decision.” the actor chuckles. “I had just finished filming The Pallbearer, my first film with Gwyneth Paltrow, and there were high expectations of that, which didn’t come true (Laughs). It was kind of a bomb, but there were high expectations, and the studio, which was Miramax, wanted to lock me into a three-picture deal at a fixed price, and I said I would do that if I got to direct my first movie.”

After months of talks, the intelligence actor said that they had come to an agreement whereby he “would act in three more movies for them” in exchange for allowing him to “direct my entire theater company in the first film,” Since You’ve Been Gone from 1998. The film was told through the perspective of a doctor who was severely beaten up by a fellow graduate on graduation day, humiliating him and setting the stage for a ten-year class reunion.

“All these unknown actors but I was going to put them on the map, basically. I was going to let everyone discover the talent of this amazing company,” Schwimmer said, “We found this amazing script, and we were developing it. We started pre-production. All my best friends in the world in my theater company quit their jobs so they could be in this film over the summer, which was going to be a six-week shoot in Chicago.”

However, Schwimmer had to make a tough decision about his career because the production for his directing debut happened to coincide with the filming of Men in Black.

The Six Days Seven Nights actor recalls, “We’re in pre-production, hired the whole crew, everything’s going and that’s when I was offered Men in Black.” “It was a direct conflict with this. My summer window from Friends was four months. I had a four-month hiatus and Men in Black was going to shoot exactly when I was going to direct this film with my company. And of course, it was an amazing opportunity. However, my theater company and that relationship with all those people would probably have ended. I don’t think it would have recovered.”

Schwimmer stated that he is unsure if “he made the right choice,” but he firmly feels that in these kinds of circumstances “you have to follow your gut, you have to follow your heart.”

“Look, I’m really aware, whatever 20 years later maybe more, [Men in Black] would have made me a movie star,” he continued. “If you look at the success of that film and that franchise, my career would have taken a very different trajectory.”

In the end, Tommy Lee Jones and Will Smith played the key parts in the Men in Black franchise.

Continue Reading

Trending

error: Content is protected !!