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Workers at Chevron Australia go on strike, endangering the supply of LNG worldwide

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Australian workers at Chevron’s liquified natural gas facilities have started going on strike in a dispute that could affect as much as 7% of global supplies and raise energy costs even more.

Friday saw the end of talks aimed at resolving the pay dispute and other issues without reaching an agreement. The Australian Seaward Collusion depicted Chevron’s (CVX) bartering execution as “the most inept effort of any employer the union has dealt with in the past 5 years and our members have had enough.”

In a Facebook statement, the alliance said, “It’s game on, Chevron,” 500 workers from the Gorgon and Wheatstone facilities, both off the Western Australian coast, are represented by the alliance.

The energy conglomerate in the United States confirmed that industrial action, including work stoppages, had begun and that it had taken steps to keep operations safe and reliable.

“Unfortunately, following numerous meetings and conciliation sessions before the Fair Work Commission, we remain apart on key terms,” a Chevron spokesperson said. “The unions continue to seek terms that are above and beyond equivalent terms with others in the industry, including in agreements recently reached.”

Natural gas prices in Europe increased as a result of the breakdown in negotiations. On Friday, the benchmark for the region, Dutch gas futures, increased 9.8% to €36 ($38.53) per megawatt hour.

Since pipeline gas deliveries from Russia decreased following its invasion of Ukraine in February 2022, which resulted in an energy crisis last winter, Europe has become significantly more dependent on global LNG supplies.

In preparation for the coming heating season, the region has been stockpiling natural gas. Capacity levels hit 90% of limit in August, over two months in front of a deadline set by the European Commission to guarantee security of supply through the colder time of year.

Additionally, prices have decreased by approximately 90% since reaching a record high in August. In any case, a virus winter that pushes up request, or a drawn out disturbance to worldwide supplies, could push them higher when oil costs are likewise ascending on the rear of result cuts by Saudi Arabia and Russia.

Ben Cahill and Kunro Irie of the Center for Strategic and International Studies wrote in a report earlier this week that “for the moment, the energy security picture heading into this winter looks better than expected, but it is too early to be complacent.” They wrote that “for the moment, the energy security picture heading into this winter looks better than expected.”

Australia is one of the world’s driving exporters of LNG, close by the US and Qatar, and the greater part of its gas goes to Asian business sectors. However, a prolonged dispute at Chevron may force Asian buyers to look elsewhere, increasing competition for shipments that may be headed for Europe.

Analysts at ANZ say that the two Chevron locations are very important because they produce approximately 6% of the world’s supply.

According to Daniel Toleman, a principal research analyst of global LNG at the energy consultancy Wood Mackenzie who focuses on Asia, a slightly greater proportion—around 7%—of the global supply would be eliminated if strikes prevented production at both facilities from continuing for a month. In any case, it’s a situation he believes is improbable.

“At this stage, the risk of material production loss remains relatively low,” he wrote in a note on Friday.

The Offshore Alliance has stated that it will intensify the labor dispute in the coming days, with a total strike scheduled to begin on September 14.

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Wiz will pay $450 million to acquire Cloud Remediation Startup Dazz

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Wiz revealed on Thursday that it will buy channel-focused company Dazz in an agreement to add cloud remediation capabilities to the vendor’s cloud and AI security platform.

With features like application security posture management and continuous threat and exposure management, Dazz provides a remediation-focused cloud security platform.

Jared Phipps, a seasoned cybersecurity industry executive who most recently worked for SentinelOne, was hired by Dazz in February as its CRO as the business sought to expand its collaboration with channel partners. Presidio, situated in New York, has been one of the key partners.

Dazz said in July that it has raised a $50 million round of funding, increasing its total funding since its 2021 launch to $110 million.

Dazz provides a “industry-leading remediation engine,” according to a post published on Thursday by Wiz Co-Founder and CEO Assaf Rappaport, which will allow Wiz to “empower security teams to correlate data from multiple sources and manage application risks in one unified platform.”

This is Wiz’s third purchase overall and its second acquisition of 2024 after the company’s April acquisition of cloud detection and response provider Gem Security.

Wiz, a four-year-old startup, reported in May that it had raised $1 billion in new capital at a $12 billion valuation, citing its continued strong development in the cloud and AI security areas. Annual recurring revenue (ARR) for the business reportedly increased from $350 million earlier this year to above $500 million.

After making a number of management additions aimed at facilitating quicker partner-driven growth, Rappaport stated in February that Wiz would prioritize its channel operations moving ahead.

I“In cybersecurity partners are super, super important in the success of a company. So we’ve always [seen that] this has huge potential for us to tap into. I think there is so much more we can do,” he stated at the time.

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ProRata, an AI startup, Teams up with UK Publishers after reportedly Hitting $130 Million in Valuation

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A number of well-known British media outlets have joined ProRata, an AI firm that claims to compensate publishers for the usage of their work, in its expanding network of partnerships.

The Los Angeles-based firm announced on Wednesday that it has signed licensing deals with publishers such as Sky News, the Guardian, and the Daily Mail’s publisher, DMG Media.

In a recent Series A funding round, ProRata raised $25 million from investors such as the Mayfield Fund, Prime Movers Lab, and Revolution Ventures.

“ProRata’s founder and CEO Bill Gross said his firm’s AI technology is the only one that pledges to credit and compensate creators, while providing users with accurate search results.

“We have had hundreds of content owners and media companies reach out to us from around the world who are interested in piloting our technology. Stealing and scraping content is not a sustainable path forward,” he continued.

Similar alliances have previously been formed by ProRata with the German publisher Axel Springer, the Atlantic, Fortune, Time, and Universal Music Group (UMG).

Media firms are offered reasonable compensation by ProRata for the use of their content. The startup’s in-house technology may determine the proper amount of pay by evaluating the worth of the information used to create responses from an AI platform. This would make it possible to pay copyright holders for their work on a per-use basis.

Gross had previously said that AI platforms have been using “shoplifted, plagiarized content,” which fosters an atmosphere in which “disinformation thrives and creators get nothing.”

Gross is recognized for having created the pay-per-click model of internet search monetization with his business, GoTo.com, which was eventually acquired by Yahoo! in 2003.

In a recent blog post, Tige Savage, a cofounder of Revolution, stated that Bill Gross is a serial entrepreneur with extensive experience in monetization techniques.

“He’s attracted a world-class tech team led by AI luminary Tarek Najm to implement the vision and an accomplished business team, including Annelies Jansen and Jonas Lee to drive content and AI partnerships,” Savage continued.

The unpaid use of copyrighted materials by OpenAI and other tech companies to train their AI systems has led to litigation from media companies and other content creators.

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Film Bazaar Unveils an Interactive Cinema App from an Indian Tech Startup

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Arjun Nittoor, the founder of the Indian technology firm Vireza, disclosed at Film Bazaar that the company is creating a new mobile application that would transform the experience of watching movies in theaters by enabling viewers to engage with the films in real time.

The technology, which was created wholly in-house at the company’s research and development department in Bengaluru, allows viewers to use their smartphones to vote on important plot points during the movie. To keep up with the current screening, patrons download an app before entering the theater and scan a QR code at their seat.

“The film industry is one of the few sectors where the audience experience has seen minimal technological disruption in theatres,” Nittoor stated. “While screen and sound quality have advanced and 3D has been partially adopted, the viewing experience has largely remained the same for decades.”

The screen automatically brightens to show voting options and dims again when choices are made. The system uses discreet phone notifications to encourage audience participation around every ten minutes.

In 2026, Vireza intends to introduce the technology with a full-length interactive movie that will be produced in both English and South Indian for international distribution. The business is presently in the development stage and will shortly start doing multiplex chain trial screenings.

CtrlMovie’s prior success in the interactive film industry was mentioned by Nittoor. CtrlMovie is well-known for “Traces of Responsibility” and “Late Shift.”

In order to overcome the difficulties in cinematography, editing, shot composition, and writing that plagued previous attempts at the format, the firm has spent five years creating what Nittoor refers to as “a new science of filmmaking” that is especially tailored for interactive cinema.

“Despite the proliferation of viewing devices, big-ticket films continue to draw massive crowds to theatres, with box office numbers higher than ever,”  Nittoor stated. “This demand underscores the potential for a meaningful technology shift that could draw audiences out of their homes and into cinemas.”

Other Asian businesses are likewise investigating audience-driven narrative in motion pictures. In February of the following year, Japan’s King Records intends to release “Hypnosis Mic – Division Rap Battle,” an animated interactive film.

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